LEADER 03106nam 22005893u 450 001 9910465642203321 005 20210107214642.0 010 $a9786610482412 010 $a0-19-530329-6 010 $a1-280-48241-9 010 $a0-19-515191-7 010 $a0-19-803466-0 035 $a(CKB)2560000000295610 035 $a(EBL)3051854 035 $a(OCoLC)922952482 035 $a(StDuBDS)EDZ0000073946 035 $a(MiAaPQ)EBC3051854 035 $a(EXLCZ)992560000000295610 100 $a20151123d2003|||| u|| | 101 0 $aeng 200 10$aVictorian Soundscapes$b[electronic resource] 210 $aNew York ;$aOxford $cOxford University Press$dc2003 215 $a1 online resource (233 p.) 300 $aDescription based upon print version of record. 311 $a0-19-515190-9 311 $a0-19-978794-8 320 $aIncludes bibliographical references and index. 327 $aContents; Illustrations; Introduction:The Tramp of a Fly's Footstep; Hearing Things; An Auscultative Age; Nuisance and Resonance; 1 "What the Waves Were Always Saying":Voices, Volumes; Babbage and Dickens: A Library of Air; "Away, with a Shriek, and a Roar, and a Rattle"; Forever and Forever through Space; 2 The Soundproof Study:Victorian Professional Identity and Urban Noise; Scatterbrain London; "Blackguard Savoyards and Herds of German Swine"; Writers' Block; Embodying Noise:The Leech Case; "Great Facts"; 3 George Eliot's Ear: New Acoustics in Daniel Deronda and Beyond 327 $aOn the Other Side of Silence Helmholtz and Eliot: Sympathetic Vibration; "On the Verge of a Great Discovery":Talking Cures; 4 The Recorded Voice from Victorian Aura to Modernist Echo; Tennyson's Talking Machine; "Send Me Mr. Gladstone's Voice"; Sinful Speech; Sound Bites; Coda:The Victor Dog; Appendix: Dickens's Prospectus for the Cheap Edition (1847); Notes; Bibliography; Index; 330 8 $aFar from the hushed restraint we associate with the Victorians their world pulsated with sound. This book shows how, in more ways than one, Victorians were hearing things. John Picker draws upon literary and scientific works to recapture the Victorian sense of aural discovery. 606 $aEnglish literature -- 19th century -- History and criticism 606 $aSound -- Recording and reproducing -- Great Britain -- History -- 19th century 606 $aSound in literature 606 $aSounds in literature 606 $aSpeech in literature 606 $aVoice in literature 608 $aElectronic books. 615 4$aEnglish literature -- 19th century -- History and criticism. 615 4$aSound -- Recording and reproducing -- Great Britain -- History -- 19th century. 615 4$aSound in literature. 615 4$aSounds in literature. 615 4$aSpeech in literature. 615 4$aVoice in literature. 676 $a820.9/356 700 $aPicker$b John M$0954013 801 0$bAU-PeEL 801 1$bAU-PeEL 801 2$bAU-PeEL 906 $aBOOK 912 $a9910465642203321 996 $aVictorian Soundscapes$92157512 997 $aUNINA LEADER 01239nam a2200289 a 4500 001 991000960739707536 008 020 $a227105821X 035 $ab1329930x-39ule_inst 040 $aDip.to Filologia Class. e Scienze Filosofiche$bita 041 1 $afre$heng 082 00$a142.7 245 10$aNaturaliser la phénoménologie :$bessais sur la phénoménologie contemporaine et les sciences cognitives /$csous la direction de Jean Petitot ... [et al.] ; avec les contributions de Renaud Barbaras ... [et al.] 260 $aParis :$bCNRS Editions,$cc2002 300 $aXII, 796 p. :$bill. ;$c24 cm 440 0$aCNRS communication 504 $aBibliografia: p. [725]-771. Indici 650 0$aCognitive science. 653 4$aFilosofia$xFenomenologia 700 1 $aPetitot, Jean$eauthor$4http://id.loc.gov/vocabulary/relators/aut$0274515 700 1 $aBarbaras, Renaud 907 $a.b1329930x$b02-04-14$c12-04-05 912 $a991000960739707536 945 $aLE007 142 PET 01.01$g1$i2007000090725$lle007$op$pE80.00$q-$rn$so $t0$u0$v0$w0$x0$y.i14049375$z12-04-05 996 $aNaturaliser la phénoménologie$91461234 997 $aUNISALENTO 998 $ale007$b12-04-05$cm$da $e-$ffre$gfr $h0$i0