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100   $a20121130d2007      uy             0
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135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aDisclosed poetics$b[electronic resource] $ebeyond landscape and lyricism /$fJohn Kinsella
210   $aManchester $cManchester University Press$d2007
215   $a1 online resource (265 p.)
225  0$aAngelaki humanities
300   $aDescription based upon print version of record.
311   $a0-7190-9560-3 
311   $a0-7190-7558-0 
320   $aIncludes bibliographical references.
327   $a9780719075582; 9780719075582; Copyright Page; CONTENTS; ILLUSTRATIONS; ACKNOWLEDGEMENTS; PREFACE: BEYOND LANDSCAPE AND LYRICISM; I PASTORAL, LANDSCAPE, PLACE . . .; Definitions of pastoral?; Can there be a radical 'western' pastoral?; Parrotology (on the necessity of parrots in poetry); Landscape poetry?; The dark side of the beach: undisclosed poetics; II SPATIAL LYRICISM; A new lyricism: some early thoughts on linguistic disobedience; Olivetti Lettera 32; Distortions - on questioning the primacy of the accented syllable: notes on alternative spatialities for poetic rhythm
327   $aLine breaks and back-draft: not a defence of a poemLine breaks coda; The search for the new idea, the unique? Against poetics?; III MANIFESTOES; Anthologising the nation; Notes towards netdeath and the loss of page style: working 'off the page'?; Consensus; The group, linguistic innovation, and international regionalism:prelude to the preparation of a group manifesto; Intensivism; Hyperpoetics and the curvature of subsets; Treatise on rooms and windows; IV AGEING, LOSS, RECIDIVISM . . .; Domine, refugium . . .; Graphol-age-ia poetica: ageing as confrontation or avoidance of death
327   $aA loss of poeticsPoetics recidivous and the de-poetics of lightning, herbicides,and pesticides; Afterword to The New Arcadia; V APPENDICES; From Marcus Clarke's 'Preface' to the Poems of Adam LindsayGordon, 1880/1893; Windows; Imitation Spatialogue (Sublime); Letter from Graham Nerlich; BIBLIOGRAPHY
330   $aJohn Kinsella explores a contemporary poetics and pedagogy as it emerges from his reflections on his own writing and teaching, and on the work of other poets, particularly contemporary writers with which he feels some affinity. At the heart of the book is Kinsella's attempt to elaborate his vision of a species of pastoral that is adequate to a globalised world (Kinsella himself writes and teaches in the USA, the UK and his native Australia), and an environmentally and politically just poetry. The book has an important autobiographical element, as Kinsella explores the pulse of his poetic imagi
410  0$aAngelaki humanities.
606   $aPoetics
606   $aPoetry$xThemes, motives
606   $aLandscapes in literature
608   $aElectronic books.
615  0$aPoetics.
615  0$aPoetry$xThemes, motives.
615  0$aLandscapes in literature.
676   $a808.1
700   $aKinsella$b John$0933702
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910465636803321
996   $aDisclosed poetics$92102036
997   $aUNINA