LEADER 03867nam 22007934a 450 001 9910465623203321 005 20200520144314.0 010 $a9786611155063 010 $a1-281-15506-3 010 $a0-19-153792-6 010 $a1-4294-9192-2 035 $a(CKB)2560000000296105 035 $a(EBL)3052728 035 $a(OCoLC)316257612 035 $a(SSID)ssj0000088600 035 $a(PQKBManifestationID)11111118 035 $a(PQKBTitleCode)TC0000088600 035 $a(PQKBWorkID)10082431 035 $a(PQKB)10126025 035 $a(StDuBDS)EDZ0000073536 035 $a(MiAaPQ)EBC3052728 035 $a(Au-PeEL)EBL3052728 035 $a(CaPaEBR)ebr10271555 035 $a(CaONFJC)MIL115506 035 $a(EXLCZ)992560000000296105 100 $a20070726d2007 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aOriginal copy$b[electronic resource] $eplagiarism and originality in nineteenth-century literature /$fRobert Macfarlane 210 $aOxford ;$aNew York $cOxford University Press$d2007 215 $a1 online resource (257 p.) 300 $aDescription based upon print version of record. 311 $a0-19-929650-2 311 $a0-19-171191-8 320 $aIncludes bibliographical references (p. [212]-235) and index. 327 $aContents; Abbreviations; Introduction; Two theories of originality; Victorian originalities; 1. 'Romantic' Originality; Introduction; The new shibboleth; The Romantic handover; Purloined letters and plagiarism hunters; 2. Legitimizing Appropriation; Introduction; Composition and decomposition; Victorian selves and plagiarism; 'They wot not of it': unconscious plagiarism; Noble contagion; Conclusions; 3. George Eliot, Originality, and Plagiarism; Introduction; Eliot and 'entire' originality; Deep originality; The onlie begetter; The commonwealth and the general mind 327 $aThe uses of unoriginality: Eliot and misquotationConclusions; 4. Charles Reade: The Realist as Plagiarist; Factual fictions; The double vision of Charles Reade; The 'Great System'; Conclusions; 5. Aesthetics of Salvage in the Fin-de-Sie?cle: Originality and Plagiarism in Pater, Wilde, and Johnson; Introduction; The cultivation of style and the breakdown of unity; Jewel-setting; Novitas: the turn to the dictionary; Refinement; Talent and tradition: the return to the library; 'Ancestral voices': the ghosts of Lionel Johnson; Conclusions; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M 327 $aNO; P; Q; R; S; T; U; V; W; Y; Z 330 8 $aThis is a wide-ranging and elegantly written study of how 19th century culture thought about, and thought with, the idea of originality. It reveals how plagiarism was not only a theoretical concern of Victorian commentators on literature, but also provided a creative resource for many important writers. 606 $aEnglish literature$y19th century$xHistory and criticism 606 $aPlagiarism$zGreat Britain$xHistory$y19th century 606 $aOriginality in literature 606 $aImitation in literature 606 $aPlagiaat$2gtt 606 $aBellettrie$2gtt 606 $aEngels$2gtt 606 $aVictoriaanse tijd$2gtt 608 $aElectronic books. 615 0$aEnglish literature$xHistory and criticism. 615 0$aPlagiarism$xHistory 615 0$aOriginality in literature. 615 0$aImitation in literature. 615 17$aPlagiaat. 615 17$aBellettrie. 615 17$aEngels. 615 17$aVictoriaanse tijd. 676 $a820.908 686 $a18.05$2bcl 700 $aMacfarlane$b Robert$f1976-$0811860 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910465623203321 996 $aOriginal copy$92102029 997 $aUNINA