LEADER 04828nam 2200661Ia 450 001 9910465616003321 005 20200520144314.0 010 $a0-19-959110-5 010 $a9786611164492 010 $a1-281-16449-6 010 $a1-4356-1409-7 010 $a0-19-153401-3 035 $a(CKB)2560000000296070 035 $a(EBL)415764 035 $a(OCoLC)476244762 035 $a(SSID)ssj0000385463 035 $a(PQKBManifestationID)11285417 035 $a(PQKBTitleCode)TC0000385463 035 $a(PQKBWorkID)10374669 035 $a(PQKB)11193402 035 $a(StDuBDS)EDZ0000023808 035 $a(MiAaPQ)EBC415764 035 $a(Au-PeEL)EBL415764 035 $a(CaPaEBR)ebr10199684 035 $a(CaONFJC)MIL116449 035 $a(EXLCZ)992560000000296070 100 $a20070502d2007 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aShakespeare in parts$b[electronic resource] /$fSimon Palfrey and Tiffany Stern 210 $aOxford $cOxford University Press$d2007 215 $a1 online resource (560 p.) 300 $aDescription based upon print version of record. 311 $a0-19-927205-0 311 $a0-19-169958-6 320 $aIncludes bibliographical references and index. 327 $aContents; List of Illustrations; Textual Notes; Introduction; I. HISTORY; 1. The Actor's Part; Early Modern Professional Parts; The University Parts; The Restoration Part; Later Parts; Twentieth-Century Parts; 2. The Actors; Casting; Typecasting; 'Becoming' the Part; Doubling and Vizards; 3. Rehearsing and Performing; The Reading; The Distribution of Parts; Learning Parts; Instruction; Rehearsal; Performance and the Prompter; Performances and Repeated Performances; II. INTERPRETING CUES; 4. History of the Cue; The Cue; Length of Cue; 5. Interpreting Shakespeare's Cues: Introduction 327 $a6. Cues and CharacterizationEarly and Inaugurating Cues; Transitional Cues; Recurring Cues; Conclusion; 7. Waiting and Suddenness: The Part in Time; Ellipses and Plotting a Part; Set-Piece: Macduff; Cued Action; Set-Piece: Bertram; Short-Line Cues; Conclusion; III. REPEATED CUES; 8. Introduction; 9. From Crowds to Clowns; Crowds; Clowns; Set-Piece: Malvolio; 10. Comi-tragic/Tragi-comic Pathos; Mercutio; 11. The Battle for the Cue-Space: The Merchant of Venice; Shylock's Repetitions; Cues and Power; Cues and Comic Uncertainty; The Trial Scene; Conclusion; 12. Tragedy 327 $aTragic Bathos: Romeo and JulietTragic Pathos; Julius Caesar; Hamlet; Troilus and Cressida; Othello; Lady Macbeth; 13. The Cue-Space in King Lear; Gloucester; Poor Tom; Edgar and Gloucester; The 'Mad' Lear; Cordelia; The Final Scene; 14. Post-Tragic Effects; Antony and Cleopatra; Imogen in Cymbeline; 15. The Cue-Space in The Tempest; Cueing the Scene; Miranda; Ariel; Caliban (1); Ferdinand; Antonio and Sebastian; Caliban (2); Conclusion; IV. THE ACTOR WITH HIS PART; 16. History; Interpreting Parts: Emotions; Playwrights and Emotions; Parts and Emphasis; Parts and Action; 17. Dramatic Prosody 327 $aIntroductionVerse/Prose; Rhyme; Short Speech Units (Short Lines, Midline Switches); 18. Prosodic Switches: Pauses, Prompts, and Soliloquies; Romeo and Juliet; Gloucester/Richard III; Richard II; 19. Midline Shifts in 'Mature' Shakespeare: From Actorly Instruction to 'Virtual' Presence; 20. Case Studies: Five Romantic Heroines and Three Lonely Men; Portia; Rosalind; Olivia; Helena (All's Well That Ends Well); Isabella; Mercutio; Shylock; Macbeth; Notes; Bibliography; Index; Index of Shakespearean Parts by Character; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; V; W; General Index 327 $aAB; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W 330 $aShakespeare's drama originally circulated in the form of the individual actor's part, containing only a single character's speeches and brief cues. This unique collaboration of original theatre history with exciting literary criticism captures anew Shakespeare's development as a writer, showing how scripting and acting work together to produce characters of unprecedented immediacy. - ;A truly groundbreaking collaboration of original theatre history with exciting literary criticism, Shakespeare in Parts is the first book fully to explore the original form in which Shakespeare's drama overwhelmi 606 $aTheater$zEngland$xHistory$y17th century 608 $aElectronic books. 615 0$aTheater$xHistory 676 $a822.33 700 $aPalfrey$b Simon$0605307 701 $aStern$b Tiffany$0604967 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910465616003321 996 $aShakespeare in parts$91117807 997 $aUNINA