LEADER 03622nam 2200625 450 001 9910465593503321 005 20210422014251.0 010 $a0-231-53775-1 024 7 $a10.7312/newm16951 035 $a(CKB)2560000000151830 035 $a(EBL)1634835 035 $a(SSID)ssj0001133148 035 $a(PQKBManifestationID)12523666 035 $a(PQKBTitleCode)TC0001133148 035 $a(PQKBWorkID)11155888 035 $a(PQKB)10193785 035 $a(StDuBDS)EDZ0000967907 035 $a(MiAaPQ)EBC1634835 035 $a(DE-B1597)458450 035 $a(OCoLC)873136813 035 $a(OCoLC)979745622 035 $a(DE-B1597)9780231537759 035 $a(Au-PeEL)EBL1634835 035 $a(CaPaEBR)ebr10860866 035 $a(CaONFJC)MIL608956 035 $a(EXLCZ)992560000000151830 100 $a20140428h20142014 uy 0 101 0 $aeng 135 $aur|nu---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$aVideo revolutions $eon the history of a medium /$fMichael Z. Newman ; cover design by Jason Alejandro ; cover art by Hollis Brown Thornton 210 1$aNew York ;$aChichester, England :$cColumbia University Press,$d2014. 210 4$dİ2014 215 $a1 online resource (159 p.) 300 $aDescription based upon print version of record. 311 0 $a0-231-16951-5 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tPreface --$tAcknowledgments --$t1. Three Phases --$t2. Video as Television --$t3. Video as Alternative --$t4. Video as the Moving Image --$t5. Medium and Cultural Status --$tNotes --$tSelect Bibliography --$tIndex 330 $aSince the days of early television, video has been an indispensable part of culture, society, and moving-image media industries. Over the decades, it has been an avant-garde artistic medium, a high-tech consumer gadget, a format for watching movies at home, a force for democracy, and the ultimate, ubiquitous means of documenting reality. In the twenty-first century, video is the name we give all kinds of moving images. We know it as an adaptable medium that bridges analog and digital, amateur and professional, broadcasting and recording, television and cinema, art and commercial culture, and old media and new digital networks. In this history, Michael Z. Newman casts video as a medium of shifting value and legitimacy in relation to other media and technologies, particularly film and television. Video has been imagined as more or less authentic or artistic than movies or television, as more or less democratic and participatory, as more or less capable of capturing the real. Techno-utopian rhetoric has repeatedly represented video as a revolutionary medium, promising to solve the problems of the past and the present-often the very problems associated with television and the society shaped by it-and to deliver a better future. Video has also been seen more negatively, particularly as a threat to movies and their culture. This study considers video as an object of these hopes and fears and builds an approach to thinking about the concept of the medium in terms of cultural status. 606 $aVideo recordings$xHistory 608 $aElectronic books. 615 0$aVideo recordings$xHistory. 676 $a302.23/4 700 $aNewman$b Michael Z.$0925777 702 $aAlejandro$b Jason 702 $aThornton$b Hollis Brown 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910465593503321 996 $aVideo revolutions$92469819 997 $aUNINA LEADER 03453nam 22006012 450 001 9910788934703321 005 20151005020622.0 010 $a1-107-50294-2 010 $a1-139-89360-2 010 $a1-107-50135-0 010 $a1-107-50671-9 010 $a1-107-51710-9 010 $a1-107-33761-5 010 $a1-107-49739-6 010 $a1-107-50402-3 035 $a(CKB)3710000000057230 035 $a(EBL)1543641 035 $a(OCoLC)862614777 035 $a(SSID)ssj0001040059 035 $a(PQKBManifestationID)12364785 035 $a(PQKBTitleCode)TC0001040059 035 $a(PQKBWorkID)11000844 035 $a(PQKB)10483760 035 $a(UkCbUP)CR9781107337619 035 $a(MiAaPQ)EBC1543641 035 $a(Au-PeEL)EBL1543641 035 $a(CaPaEBR)ebr10795354 035 $a(EXLCZ)993710000000057230 100 $a20130207d2014|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAquinas on human self-knowledge /$fTherese Scarpelli Cory$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2014. 215 $a1 online resource (xi, 241 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a1-316-50233-3 311 $a1-107-04292-5 320 $aIncludes bibliographical references and index. 327 $gMachine generated contents note:$gpt. I$tHISTORICAL AND TEXTUAL ORIGINS --$g1.$tThe development of a medieval debate --$g2.$tThe trajectory of Aquinas's theory of self-knowledge, 1252 -- 72 --$gpt. II$tPHENOMENA AND PROBLEMS --$g3.$tPerceiving myself: the content of actual self-awareness --$g4.$tPerceiving myself: is self-awareness an intuitive act? --$g5.$tThe significance of self-presence: habitual self-awareness --$g6.$tImplicit vs. explicit self-awareness and the duality of conscious thought --$g7.$tDiscovering the soul's nature: quidditative self-knowledge --$g8.$tSelf-knowledge and psychological personhood. 330 $aSelf-knowledge is commonly thought to have become a topic of serious philosophical inquiry during the early modern period. Already in the thirteenth century, however, the medieval thinker Thomas Aquinas developed a sophisticated theory of self-knowledge, which Therese Scarpelli Cory presents as a project of reconciling the conflicting phenomena of self-opacity and privileged self-access. Situating Aquinas's theory within the mid-thirteenth-century debate and his own maturing thought on human nature, Cory investigates the kinds of self-knowledge that Aquinas describes and the questions they raise. She shows that to a degree remarkable in a medieval thinker, self-knowledge turns out to be central to Aquinas's account of cognition and personhood, and that his theory provides tools for considering intentionality, reflexivity and selfhood. Her engaging account of this neglected aspect of medieval philosophy will interest readers studying Aquinas and the history of medieval philosophy more generally. 606 $aSelf-knowledge, Theory of 615 0$aSelf-knowledge, Theory of. 676 $a126.092 700 $aCory$b Therese Scarpelli$f1982-$01473060 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910788934703321 996 $aAquinas on human self-knowledge$93686109 997 $aUNINA