LEADER 05634nam 2200721 450 001 9910465581003321 005 20200520144314.0 010 $a1-922059-60-9 010 $a1-922059-61-7 035 $a(CKB)2560000000148385 035 $a(EBL)1675055 035 $a(SSID)ssj0001224014 035 $a(PQKBManifestationID)12555308 035 $a(PQKBTitleCode)TC0001224014 035 $a(PQKBWorkID)11259875 035 $a(PQKB)10820025 035 $a(MiAaPQ)EBC3440935 035 $a(MiAaPQ)EBC1918608 035 $a(MiAaPQ)EBC1675055 035 $a(Au-PeEL)EBL3440935 035 $a(CaPaEBR)ebr10865802 035 $a(CaONFJC)MIL691771 035 $a(OCoLC)932311821 035 $a(Au-PeEL)EBL1675055 035 $a(OCoLC)870331664 035 $a(EXLCZ)992560000000148385 100 $a20140428d2014 uy| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aCalling the shots $eaboriginal photographies /$fedited by Jane Lydon 210 1$aCanberra, Australian Capital Territory :$cAboriginal Studies Press,$d2014. 215 $a1 online resource (292 p.) 300 $aDescription based upon print version of record. 311 $a1-922059-62-5 311 $a1-322-60489-4 311 $a1-922059-59-5 320 $aIncludes bibliographical references and index. 327 $aContents; Acknowledgments; Contributors; Language and style; CHAPTER 1 Introduction: The photographic encounter; Visibility and Photography: A Brief History; Photographs Today: Indigenous Cultural Heritage; Indigenous Artists; Notes; TASMANIA; CHAPTER 2 Forgotten lives: The First Photographs of Tasmanian Aboriginal People; The first Photograph; The People Who Went to Oyster Cove; Control and Containment; The visiting Bishop and Too Little, Too Late; Notes; Acknowledgments; NEW SOUTH WALES; CHAPTER 3 Photographing Indigenous People in New South Wales 327 $aJohn William Lindt (1845-1926): Still Lives Links To Today; Connecting with the Cowans; Trickery and Artifice; Commercial Markets; Intimacy and Reclamation; Notes; Acknowledgments; CHAPTER 4 Picture Who We Are: Representations of Identity and the Appropriation of Photographs Into a Wiradjuri Oral History Tradition; Introduction; Appropriating Representations; Meaning and Identity; Banking Identities; Wiradjuri Excellence; A Bidja; Notes; Conclusion; VICTORIA; CHAPTER 5 Photographing Kooris: Photography and Exchange; Missionaries and Photography: 'Tell Jane I want Her Likeness'; Notes 327 $aAcknowledgments QUEENSLAND; Portraits of Our Elders; CHAPTER 6 Aboriginal People and Four Early Brisbane Photographers; Early Brisbane Photographers; John Watson; William Knight; Thomas Bevan; Daniel Marquis; Richard Daintree; The Importance of Photographs; Notes; SOUTH AUSTRALIA; CHAPTER 7 Photographing South Australian Indigenous People: 'Far More Gentlemanly Than Many'; Jackey and Jemima Gunlarnman; 'The Nucleus of the Native Church': Poonindie Mission; 1860's: Growing Circulation; Ngarrindjeri and Point McLeay Mission; Notes; Acknowledgments 327 $aCHAPTER 8 'It's that Reflection': Photography as Recuperative Practice, a Ngarrindjeri Perspective'The Weaving of Our Stories and Our Movement in Family': Aunty Ellen's Album; Queen Ethel; Queen Louisa; 'Separated Under False Pretences': William and Patrick Brown; Uncle Tom's Album: Remembering a Way of Life; Aunty Charlotte Richards: A Pioneering Ngarrindjeri Photographer; Aunty Joyce Kerswell: Keeper of the Archive and 'A Llady of History'; Memory and Photographic Loss; Conclusion: Recuperation and the Weaving of our Stories Through Photography; Notes; Acknowledgments 327 $aWESTERN AUSTRALIA CHAPTER 9 Photographing Aboriginal Australians in West Australia; The Mission Era; A History of West Australian Photography; Carte de Visite Photography; Major Collections and Holding Places for Photographic Archives in Western Australia; Battye Library of Western Australia; Berndt Museum of Anthropology; Anthropology Department Photographic Collection Western Australian Museum; Indigenous Communities and Repatriation Projects; Research projects; Future directions; Notes; NORTHERN TERRITORY; CHAPTER 10 Photographing the Outback: The Last Frontier?; Macassans 327 $a'Strong, Beautiful People' 330 $aHistorically, photographs of Indigenous Australians were produced in unequal and exploitative circumstances. Today, however, such images represent a rich cultural heritage for descendants, who see them in distinctive and positive ways. Calling the shots brings together researchers who are using this rich archive to explore Aboriginal history, to identify relatives, and to reclaim culture. It reverses the colonial gaze to focus on the interactions between photographer and Indigenous people - and the living meanings the photos have today. The result is a fresh perspective on Australia's past, 606 $aAboriginal Australians$xSocial life and customs$vPictorial works 606 $aAboriginal Australians$zAustralia$xHistory$vPictorial works 606 $aFamilies, Aboriginal Australian$vPictorial works 608 $aElectronic books. 615 0$aAboriginal Australians$xSocial life and customs 615 0$aAboriginal Australians$xHistory 615 0$aFamilies, Aboriginal Australian 676 $a306.810899915 702 $aLydon$b Jane$f1965- 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910465581003321 996 $aCalling the shots$92245090 997 $aUNINA