LEADER 03021nam 2200577Ia 450 001 9910465570603321 005 20200520144314.0 010 $a1-299-28424-8 010 $a0-8108-8348-1 035 $a(CKB)2560000000099626 035 $a(EBL)1144779 035 $a(SSID)ssj0000835439 035 $a(PQKBManifestationID)12399088 035 $a(PQKBTitleCode)TC0000835439 035 $a(PQKBWorkID)10990000 035 $a(PQKB)10917528 035 $a(MiAaPQ)EBC1144779 035 $a(Au-PeEL)EBL1144779 035 $a(CaPaEBR)ebr10675663 035 $a(CaONFJC)MIL459674 035 $a(OCoLC)834129278 035 $a(EXLCZ)992560000000099626 100 $a20120920d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aGrateful Dead and the art of rock improvisation$b[electronic resource] /$fDavid Malvinni 210 $aLanham, Md. $cScarecrow Press$d2013 215 $a1 online resource (297 p.) 300 $aDescription based upon print version of record. 311 $a0-8108-8255-8 320 $aIncludes bibliographical references and index. 327 $aContents; List of Tables and Figures; Preface; Acknowledgments; Abbreviations; Introduction; CHAPTER ONE. On Deadness: The Path to Unlimited Devotion; CHAPTER TWO. Primal Grateful Dead Improvisation: From R & B Covers to Originals Like "That's It for the Other One"; CHAPTER THREE. "Dark Star" as Cosmic Expansion; CHAPTER FOUR. "Dark Star": Theorizing Improvisation; CHAPTER FIVE. "Mind Left Your Body": Thematic Signposts and Arrivals in the Grateful Dead's Jazz-Rock Jamming; CHAPTER SIX. The Unfolding of Jamming in the Grateful Dead's Original Repertoire 327 $aCHAPTER SEVEN. Improvisational Types in the Grateful Dead's Later PeriodAppendix 1: Scales and Modes; Appendix 2: Roman Numerals and Chords; Appendix 3: Selection of Original Songs: First Time Played Live; Bibliography; Index; About the Author 330 $aAlthough fans and scholars alike recognize the Grateful Dead as icons of the psychedelic music, the band's improvisatory approach still remains an enigma to the uninitiated. In Grateful Dead and the Art of Rock Improvisation, Malvinni unravels this mystery, walking readers through the band's musical decision-making process. Written for rock music fans with little to no background in music theory and scholars and students of popular music culture, the book reveal the method behind the seeming madness of America's greatest 606 $aImprovisation (Music) 606 $aRock music$xHistory and criticism 608 $aElectronic books. 615 0$aImprovisation (Music) 615 0$aRock music$xHistory and criticism. 676 $a782.42166092/2 700 $aMalvinni$b David$0954855 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910465570603321 996 $aGrateful Dead and the art of rock improvisation$92470257 997 $aUNINA LEADER 01257nam 2200349Ia 450 001 996392221603316 005 20221108095134.0 035 $a(CKB)1000000000678078 035 $a(EEBO)2248580330 035 $a(UnM)99895363 035 $a(UnM)9928623800971 035 $a(EXLCZ)991000000000678078 100 $a19980910d1641 uh | 101 0 $aeng 135 $aurbn||||a|bb| 200 10$aTo the right honourable, the House of Peeres, now assembled in Parliament. The humble petition of James archbishop of Armagh$b[electronic resource] 210 $a[London $cs.n.$d1641] 215 $a1 sheet ([2] p.) 300 $aDated on verso: Die Veneris, 11. Februarii, 1641. 300 $aReproduction of original in the Dr. Williams' Library. 330 $aeebo-0037 606 $aProhibited books$zEngland$vEarly works to 1800 608 $aBroadsides$zEngland$zLondon$2rbgenr 615 0$aProhibited books 700 $aUssher$b James$f1581-1656.$0744208 801 0$bCu-RivES 801 1$bCu-RivES 801 2$bWaOLN 906 $aBOOK 912 $a996392221603316 996 $aTo the right honourable, the House of Peeres, now assembled in Parliament. The humble petition of James archbishop of Armagh$92312256 997 $aUNISA