LEADER 04448nam 2200589 450 001 9910465544303321 005 20200520144314.0 010 $a0-231-85096-4 024 7 $a10.7312/fras17748 035 $a(CKB)3710000000709248 035 $a(EBL)4528380 035 $a(OCoLC)951221475 035 $a(MiAaPQ)EBC4528380 035 $a(DE-B1597)473322 035 $a(OCoLC)945215277 035 $a(DE-B1597)9780231850964 035 $a(Au-PeEL)EBL4528380 035 $a(CaPaEBR)ebr11212629 035 $a(CaONFJC)MIL934495 035 $a(EXLCZ)993710000000709248 100 $a20160601h20162016 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aCultures of representation $edisability in world cinema contexts /$fedited by Benjamin Fraser 205 $aNONE 210 1$aLondon, [England] ;$aNew York, New York :$cWallflower Press,$d2016. 210 4$d©2016 215 $a1 online resource (283 p.) 225 1 $aNONE 300 $aIncludes index. 311 $a0-231-17748-8 311 $a0-231-17749-6 327 $tFrontmatter -- $tContents -- $tAcknowledgements -- $tNotes on Contributors -- $tIntroduction. Disability Studies, World Cinema and the Cognitive Code of Reality -- $tGlobal In(ter)dependent Disability Cinema: Targeting Ephemeral Domains of Belief and Cultivating Aficionados of the Body -- $t?Beyond Forgiveness?? Lee Chang-dong?s Oasis (2002) and the Mobilisation of Disability Discourses in the Korean New Wave -- $tRefusing Chromosomal Pairing. Inclusion, Disabled Masculinity, Sexuality and Intimacy in Yo, también (2009) -- $tDunce! Duffer! Dimwit! Dyslexia in Bollywood?s Taare Zameen Par (2007) -- $tLandscapes of Children. Picturing Disability in Buñuel?s Los olvidados (1950) -- $tFearful Reflections. Representations of Disability in Post-war Dutch Cinema (1973?2011) -- $t?People Endure?. The Function of Autism in Anton?s Right Here (2012) -- $tDisplaying Autism. The Thinking and Images of Temple Grandin (2010) -- $tMore than the ?Other?? On Four Tendencies Regarding the Representation of Disability in Contemporary German Film (2005?2010) -- $tThe Other Body. Psychiatric Disability and Pedro Almodóvar (1988?2011) -- $tOn the Road to Normalcy. European Road Movies and Disability (2002?2011) -- $tRe-envisioning Italy?s ?New Man? in Bella non piangere! (1955) -- $t?Get Your Legs Back?. Avatar (2009) and the Re-booting of American Individualism -- $tThrough the Disability Lens. Revisiting Ousmane Sembène?s Xala (1975) and Camp de Thiaroye (1988) -- $tHomes Wretched and Wrecked. Disability as Social Dis-ease in Kurosawa?s Dodes?ka-den (1970) -- $tLeprosy and the Dialectical Body in Forugh Farrokhzad?s The House is Black (1964) -- $tIndex 330 $aCultures of Representation is the first book to explore the cinematic portrayal of disability in films from across the globe. Contributors explore classic and recent works from Belgium, France, Germany, India, Italy, Iran, Japan, Korea, Mexico, Netherlands, Russia, Senegal, and Spain, along with a pair of globally resonant Anglophone films. Anchored by David T. Mitchell and Sharon L. Snyder's coauthored essay on global disability-film festivals, the volume's content spans from 1950 to today, addressing socially disabling forces rendered visible in the representation of physical, developmental, cognitive, and psychiatric disabilities. Essays emphasize well-known global figures, directors, and industries ? from Temple Grandin to Pedro Almodóvar, from Akira Kurosawa to Bollywood ? while also shining a light on films from less frequently studied cultural locations such as those portrayed in the Iranian and Korean New Waves. Whether covering postwar Italy, postcolonial Senegal, or twenty-first century Russia, the essays in this volume will appeal to scholars, undergraduates, and general readers alike. 410 0$aNONE 606 $aPerforming arts$xHistory 606 $aPerforming arts$vExhibitions 608 $aElectronic books. 615 0$aPerforming arts$xHistory. 615 0$aPerforming arts 676 $a791.03 702 $aFraser$b Benjamin 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910465544303321 996 $aCultures of representation$92488058 997 $aUNINA LEADER 04735nam 2200829Ia 450 001 9910537381203321 005 20200520144314.0 010 $a9786612899294 010 $a9781282899292 010 $a1282899295 010 $a9780262289719 010 $a0262289717 035 $a(CKB)2560000000054314 035 $a(CaBNVSL)mat06267481 035 $a(IDAMS)0b000064818b44d3 035 $a(IEEE)6267481 035 $a(SSID)ssj0000437258 035 $a(PQKBManifestationID)11274848 035 $a(PQKBTitleCode)TC0000437258 035 $a(PQKBWorkID)10431432 035 $a(PQKB)11779250 035 $a(Au-PeEL)EBL3339183 035 $a(CaPaEBR)ebr10433726 035 $a(CaONFJC)MIL289929 035 $a(OCoLC)699490862 035 $a(MiAaPQ)EBC3339183 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/77881 035 $a(ScCtBLL)6e3c64c5-360d-43c2-a4b0-34ca037e7a97 035 $a(oapen)doab77881 035 $a(EXLCZ)992560000000054314 100 $a20091231d2010 uy 0 101 0 $aeng 135 $aur|n||||||||| 181 $2rdacontent 182 $2isbdmedia 183 $2rdacarrier 200 10$aGood faith collaboration $ethe culture of Wikipedia /$fJoseph Michael Reagle, Jr. ; foreword by Lawrence Lessig 205 $a1st ed. 210 $aCambridge, MA $cMIT Press$dc2010 215 $a1 PDF (xv, 244 pages) 225 1 $aHistory and foundations of information science 300 $aBibliographic Level Mode of Issuance: Monograph 311 1 $a9780262518208 311 1 $a0262518201 311 1 $a9780262014472 311 1 $a0262014475 320 $aIncludes bibliographical references and index. 327 $aNazis and norms -- The pursuit of the universal encyclopedia -- Good faith collaboration -- The puzzle of openness -- The challenges of consensus -- The benevolent dictator -- Encyclopedic anxiety -- Conclusion : a globe in accord. 330 $aWikipedia, the online encyclopedia, is built by a community - a community of Wikipedians who are expected to "assume good faith" when interacting with one another. In Good Faith Collaboration, Joseph Reagle examines this unique collaborative culture. 330 $aWikipedia, says Reagle, is not the first effort to create a freely shared, universal encyclopedia; its early twentieth-century ancestors include Paul Otlet's Universal Repository and H.G. Wells's proposal for a World Brain. Both these projects, like Wikipedia, were fuelled by new technology-which at the time included index cards and microfilm. What distinguishes Wikipedia from these and other more recent ventures is Wikipedia's good faith collaborative culture, as seen not only in the writing and editing of articles but also in their discussion pages and edit histories. Keeping an open perspective on both knowledge claims and other contributors, Reagle argues, creates an extraordinary collaborative potential. 330 $aWikipedia is famously an encyclopedia "anyone can edit," and Reagle examines Wikipedia's openness and several challenges to it: technical features that limit vandalism to articles; private actions to mitigate potential legal problems; and Wikipedia's own internal bureaucratization. He explores Wikipedia's process of consensus (reviewing a dispute over naming articles on television shows) and examines the way leadership and authority work in an open content community. 330 $aWikipedia's style of collaborative production has been imitated, analyzed, and satirized. Despite the social unease over its implications for individual autonomy, institutional authority, and the character (and quality) of cultural products, Wikipedia's good faith collaborative culture has brought us closer than ever to a realization of the century-old pursuit of a universal encyclopedia."--Jacket. 410 0$aHistory and foundations of information science. 606 $aElectronic encyclopedias$vCase studies 606 $aWikis (Computer science)$vCase studies 606 $aCommunication in learning and scholarship$xTechnological innovations$vCase studies 606 $aAuthorship$xCollaboration$vCase studies 606 $aOnline social networks$vCase studies 615 0$aElectronic encyclopedias 615 0$aWikis (Computer science) 615 0$aCommunication in learning and scholarship$xTechnological innovations 615 0$aAuthorship$xCollaboration 615 0$aOnline social networks 676 $a030 700 $aReagle$b Joseph Michael$01093455 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910537381203321 996 $aGood faith collaboration$94184883 997 $aUNINA