LEADER 04718nam 2200649Ia 450 001 9910465519303321 005 20200520144314.0 010 $a1-283-16266-0 010 $a9786613162663 010 $a1-84150-447-5 035 $a(CKB)2560000000072743 035 $a(EBL)685159 035 $a(OCoLC)714572253 035 $a(SSID)ssj0000541648 035 $a(PQKBManifestationID)11367202 035 $a(PQKBTitleCode)TC0000541648 035 $a(PQKBWorkID)10509343 035 $a(PQKB)11676873 035 $a(MiAaPQ)EBC685159 035 $a(Au-PeEL)EBL685159 035 $a(CaPaEBR)ebr10465922 035 $a(CaONFJC)MIL316266 035 $a(EXLCZ)992560000000072743 100 $a20091014d2011 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aStudies in French cinema$b[electronic resource] $eUK perspectives, 1985-2010 /$fedited by Will Higbee and Sarah Leahy 210 $aBristol, UK ;$aChicago $cIntellect$d2011 215 $a1 online resource (402 p.) 300 $aDescription based upon print version of record. 311 $a1-84150-323-1 320 $aIncludes bibliographical references and index. 327 $aFront Cover; Preliminary Pages; Contents; Acknowledgements; Contributors; Chapter 1: Introduction; Part I; Chapter 2: Pierrot le fou and Post-New Wave French Cinema; Chapter 3: National Cinemas and the Body Politic; Chapter 4: Unfamiliar Places: 'Heterospection' and Recent French Films on Children; Chapter 5: The Circular Ruins? Frontiers, Exile and the Nation in Renoir's Le Crime de Monsieur Lange; Chapter 6: Beurz n the Hood: The Articulation of Beur and French Identities in Le The? au harem d'Archime?de and Hexagone 327 $aChapter 7: Community, Nostalgia and the Spectacle of Masculinity: Jean Gabin References to Part I; Part II; Chapter 8: Asserting Text, Context and Intertext: Jill Forbes and French Film Studies; Chapter 9: Jill Forbes: The Continued Conversation; Chapter 10: Political Threads and Material Memory: Mayo's Wardrobe for Casque d'or (1952); Chapter 11: 'Une vraie famille Benetton': Maternal Metaphors of Nation in Il y a longtemps que je t'aime (2008) - a Response to Susan Hayward; Chapter 12: Phil Powrie: French Film Studies as a Heterotopic Field 327 $aChapter 13: Men in Unfamiliar Places: A Response to Phil Powrie Chapter 14: To Elicit and Elude: The Film Writing of Keith Reader; Chapter 15: Sexuality (and Resnais): A Response to Keith Reader; Chapter 16: Of Spaces and Difference in La Graine et le mulet (2007): A Dialogue with Carrie Tarr; Chapter 17: Cinema, the Second Sex and Studies of French Women's Films in the 2000's; Chapter 18: The Bafflement of Gabin and Raimu and the Breathlessness of Belmondo: A Dialogue with the Work of Ginette Vincendeau; Chapter 19: Placing French Film History; References to Part II; Part III 327 $aChapter 20: To the Distant Observer Chapter 21: Censoring French 'Cine?ma de qualite?' - Bel-Ami (1954/1957); Chapter 22: Raymond Bernard's Les Mise?rables (1933); Chapter 23: Jewish-Arab Relations in French, Franco-Maghrebi and Maghrebi Cinemas; Chapter 24: The Frenchness of French Cinema: The Language of National Identity, from the Regional to the Trans-national; Chapter 25: Four Decades of Teaching and Research in French Cinema; References to Part III; Index; Back Cover 330 $aStudies in French Cinema looks at the development of French screen studies in the United Kingdom over the past twenty years and the ways in which innovative scholarship in the UK has helped shape the field in English and French speaking universities. This seminal text is also a tribute to six key figures within the field who have been leaders in research and teaching of French cinema: Jill Forbes, Susan Hayward, Phil Powrie, Keith Reader, Carrie Tarr, and Ginette Vincendeau. Coinciding with the tenth anniversary of the celebrated Intellect journal of the same title and covering a wide range of 606 $aMotion pictures$zFrance$xHistory$y20th century 606 $aMotion pictures$zFrance$xHistory$y21st century 606 $aMotion pictures, French$xStudy and teaching (Higher)$zGreat Britain 608 $aElectronic books. 615 0$aMotion pictures$xHistory 615 0$aMotion pictures$xHistory 615 0$aMotion pictures, French$xStudy and teaching (Higher) 676 $a791.430944 701 $aHigbee$b Will$01045770 701 $aLeahy$b Sarah$01051547 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910465519303321 996 $aStudies in French cinema$92482132 997 $aUNINA