LEADER 05617nam 2200685Ia 450 001 9910465502803321 005 20200520144314.0 010 $a1-280-69163-8 010 $a9786613668578 010 $a1-61703-266-2 035 $a(CKB)2560000000082875 035 $a(EBL)932777 035 $a(OCoLC)794669918 035 $a(SSID)ssj0000677509 035 $a(PQKBManifestationID)11414845 035 $a(PQKBTitleCode)TC0000677509 035 $a(PQKBWorkID)10696397 035 $a(PQKB)11773676 035 $a(MiAaPQ)EBC932777 035 $a(Au-PeEL)EBL932777 035 $a(CaPaEBR)ebr10568984 035 $a(CaONFJC)MIL366857 035 $a(EXLCZ)992560000000082875 100 $a20110826d2012 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aExploring American folk music$b[electronic resource] $eethnic, grassroots, and regional traditions in the United States /$fKip Lornell 205 $a3rd ed. 210 $aJackson $cUniversity Press of Mississippi$dc2012 215 $a1 online resource (409 p.) 225 1 $aAmerican made music series 300 $aDescription based upon print version of record. 311 $a1-61703-264-6 320 $aIncludes bibliographical references and index. 327 $aCover; Contents; Exploring American Folk Music: A Preamble to the Third Edition; A Prelude to the Second Edition; Preface and Acknowledgments; 1. START HERE!; Introduction; The Roots of Twenty-first-Century Folk Music; Music in Our Daily Lives and in the Academy; Defining American Folk Music; Cultural Geography and Traditions; Folk Culture in the United States; Bred in the Bone; Listening to American Folk Music; Instruments; Accordion; Banjo; Dulcimer; Fiddle; Fife; Guitar; Harmonica; Mandolin; Mouth Bow; One-String; Quills; Washboard; Final Thoughts; 2. MASS MEDIA; Introduction 327 $aMinstrel and Medicine Shows Recording the Blues; Record Companies and Folk Music; Country Music over the Airwaves; Border Radio; The Ancestors of MTV and VH-1; Uncle Dave Macon and the Electronic Media; Final Thoughts; 3. FIELDWORK IN TWENTY-FIRST-CENTURY AMERICA; Musical Communities and Fieldwork; Accomplishing Fieldwork; Topic; Focus; Preparation; Questions; Communication; Interview; Ethics; Some Nuts and Bolts of Fieldwork; Final Thoughts; 4. ANGLO-AMERICAN SECULAR FOLK MUSIC; British Ballads; Broadsides; Native American Ballads; Singing Cowboys; Tin Pan Alley and Country Music Texts 327 $aErnest Stoneman's Repertoire The Father of Bluegrass; Honky-Tonk; Western Swing; Final Thoughts; 5. ANGLO-AMERICAN SACRED MUSIC; Psalmody; Shape Notes; Camp Meetings; Shakers; Later Hymnody and Gospel Songs; Sanctified Styles; Southern Gospel Boogie; Final Thoughts; 6. AFRICAN AMERICAN RELIGIOUS FOLK MUSIC; The Great Awakening and Camp Meetings; Spirituals; Ring Shouts; Gospel; Pentecostal Singing and Guitar Evangelists; Preachers on Record; Gospel Quartets; Final Thoughts; 7. AFRICAN AMERICAN SECULAR FOLK MUSIC; Work Songs; String Bands; Fife and Drum Bands; Ragtime and Coon Songs; Ballads 327 $aSongsters and Rural Music Down-home Blues; Modern Blues; Final Thoughts; 8. ETHNIC AND NATIVE AMERICAN TRADITIONS; Jewish American: Klezmer; Native American; Music and Ceremony Today; Musical Characteristics; Instruments; Powwows; Hawaiian American; Franco-American; Cajun Country; Zydeco; Northeastern States; Scandinavian American; Ballads; Instrumental Music; Polka and More Polka!; Norwegian American Folk Music; Final Thoughts; 9. THE HISPANIC AMERICAN DIASPORA; The Southwest; Tex-Mex Music; Corridos; Mariachi; Native American Influences; Florida; New York City; Final Thoughts 327 $a10. THE FOLK REVIVALS Red Roots; The Mass Media and Popular Culture; Field Research; The 1960's Folk Revival; A British Invasion; The Blues Boom; Back to the Mountains; New Entrepreneurs and Frontiers; Final Thoughts; 11. THE FOLK ROOTS OF CONTEMPORARY POPULAR MUSIC; Black Codes from the Underground; Improvisation in Black Musical Culture; Rhythm and Blues; Rockabilly; Early Rock 'n' Roll and Rock; Motown and Soul; Hip-Hop and Rap; Country Music Today; Final Thoughts; 12. URBAN FOLK MUSIC; Introduction; Blues and Gospel in Chicago; San Antonio's Country and Conjunto Traditions; Washington, D.C. 327 $aCountry Music 330 $aExploring American Folk Music: Ethnic, Regional & Vernacular Traditions in the United States reflects the fascinating diversity of regional and grassroots music in the United States. The book covers the diverse strains of American folk music--Latin, Native American, African, French-Canadian, British, and Cajun--and offers a chronology of the development of folk music in the United States. The book is divided into discrete chapters covering topics as seemingly disparate as sacred harp singing, conjunto music, the folk revival, blues, and ballad singing. It is among the few textbooks in American 410 0$aAmerican made music series. 606 $aFolk music$zUnited States$xHistory and criticism 606 $aPopular music$zUnited States$xHistory and criticism 608 $aElectronic books. 615 0$aFolk music$xHistory and criticism. 615 0$aPopular music$xHistory and criticism. 676 $a781.62/13 700 $aLornell$b Kip$f1953-$0858584 701 $aLornell$b Kip$f1953-$0858584 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910465502803321 996 $aExploring American folk music$92084487 997 $aUNINA LEADER 01560nam 2200397 n 450 001 996387715603316 005 20221108100328.0 035 $a(CKB)1000000000627149 035 $a(EEBO)2240960406 035 $a(UnM)9928328700971 035 $a(UnM)99833727 035 $a(EXLCZ)991000000000627149 100 $a19960207d1684 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 14$aThe day dawned both to Jews and Gentiles, and clear discoveries of light and righteousness; the bright and moning star appearing$b[electronic resource] $eJacob wrestled with the angel until the break of the day, and would not let him go until he blessed him 210 $a[London $cs.n.]$dPrinted in the year 1684 215 $a[2], 6, 9-16 300 $aSigned at end: Dorothy Wight [i.e. White]. 300 $aWith errata at foot of p. 16. 300 $aText and register are continuous despite pagination. 300 $aCopy trimmed. 300 $aReproduction of the original in the Swarthmore College Library, Pennsylvania. 330 $aeebo-0157 606 $aQuakers$vEarly works to 1800 606 $aChristian literature$vEarly works to 1800 615 0$aQuakers 615 0$aChristian literature 700 $aD. 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