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100   $a20070202d2007      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aGenre in popular music$b[electronic resource] /$fFabian Holt
210   $aChicago $cUniversity of Chicago Press$d2007
215   $a1 online resource (238 p.)
300   $aDescription based upon print version of record.
311   $a0-226-35039-8 
311   $a0-226-35037-1 
320   $aIncludes bibliographical references and index.
320   $a"The Jeff Parker discography": p. 181-183.
327   $aRoots and refigurations -- Double session I : Reactions to rock -- A model of genre transformation -- Country music and the Nashville sound -- Jazz and jazz-rock fusion -- Double session II : Urban boundaries -- Jeff Parker and the Chicago jazz scene -- A closer look at Jeff Parker and his music -- Music at American borders.
330   $aThe popularity of the motion picture soundtrack O Brother, Where Art Thou? brought an extraordinary amount of attention to bluegrass, but it also drew its share of criticism from some aficionados who felt the album's inclusion of more modern tracks misrepresented the genre. This soundtrack, these purists argued, wasn't bluegrass, but "roots music," a new and, indeed, more overarching category concocted by journalists and marketers. Why is it that popular music genres like these and others are so passionately contested? And how is it that these genres emerge, coalesce, chang
606   $aPopular music$zUnited States$xHistory and criticism
606   $aPopular music genres
608   $aElectronic books.
615  0$aPopular music$xHistory and criticism.
615  0$aPopular music genres.
676   $a781.64
700   $aHolt$b Fabian$0868327
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910465481803321
996   $aGenre in popular music$92036854
997   $aUNINA