LEADER 03230nam 22006132 450 001 9910465444603321 005 20210304143913.0 010 $a90-485-2294-3 024 7 $a10.1515/9789048522941 035 $a(CKB)3710000000222986 035 $a(EBL)1773781 035 $a(SSID)ssj0001377620 035 $a(PQKBManifestationID)11753632 035 $a(PQKBTitleCode)TC0001377620 035 $a(PQKBWorkID)11328184 035 $a(PQKB)10176106 035 $a(MiAaPQ)EBC1773781 035 $a(DE-B1597)502626 035 $a(OCoLC)952779424 035 $a(DE-B1597)9789048522941 035 $a(UkCbUP)CR9789048522941 035 $a(Au-PeEL)EBL1773781 035 $a(CaPaEBR)ebr10910348 035 $a(CaONFJC)MIL801070 035 $a(OCoLC)923709366 035 $a(EXLCZ)993710000000222986 100 $a20201130d2014|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aWarped minds $ecinema and psychopathology /$fTemenuga Trifonova$b[electronic resource] 210 1$aAmsterdam, Netherlands :$cAmsterdam University Press,$d2014. 215 $a1 online resource (290 pages) $cdigital, PDF file(s) 225 1 $aFilm Culture in Transition 300 $aTitle from publisher's bibliographic system (viewed on 22 Feb 2021). 311 0 $a90-8964-632-9 320 $aIncludes bibliographical references, filmography and index. 327 $tFront matter --$tWarped Minds --$tTable of Contents --$tIntroduction --$t1. The Story of Attention: Toward a Dynamic Model of the Self --$t2. Photography and the Construction of Psychopathology at the Fin de Siècle --$t3. Cinema and Psychoanalysis --$t4. Multiple Personality and the Hollywood 'Multiple' Film --$t5. Paranoia and the Geopolitical Conspiracy Thriller --$tNotes --$tBibliography --$tFilmography --$tIndex 330 $aWarped Minds explores the transformation of psychopathologies into cultural phenomena in the wake of the transition from an epistemological to an ontological approach to psychopathology. Trifonova considers several major points in this intellectual history: the development of a dynamic model of the self at the fin de sie?cle, the role of photography and film in the construction of psychopathology, the influence of psychoanalysis on the transition from static, universalizing psychiatric paradigms to dynamic styles of psychiatry foregrounding the socially constructed nature of madness, and the decline of psychoanalysis and the aestheticization of madness into a trope describing the conditions of knowledge in postmodernity as evidenced by the transformation of multiple personality and paranoia into cultural and aesthetic phenomena. 410 0$aFilm culture in transition. 606 $aMental illness in motion pictures 606 $aPsychoanalysis and motion pictures 615 0$aMental illness in motion pictures. 615 0$aPsychoanalysis and motion pictures. 676 $a791.43653 700 $aTrifonova$b Temenuga$0947427 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910465444603321 996 $aWarped minds$92486942 997 $aUNINA