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100   $a20180706d2013      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aShakespeare, Jonson, and the claims of the performative /$fJames Loxley and Mark Robson
210  1$aNew York ;$aLondon :$cRoutledge,$d2013.
215   $a1 online resource (158 p.)
225 1 $aRoutledge studies in Renaissance literature and culture ;$v22
300   $aDescription based upon print version of record.
311   $a0-367-86488-6 
311   $a0-415-99327-X 
320   $aIncludes bibliographical references and index.
327   $aFront Cover; Shakespeare, Jonson, and the Claims of the Performative; Copyright Page; Contents; Note on Editions; Acknowledgments; Introduction: Sea-Changes; 1.Promises; 2.Excuses; 3.Libels; 4.Declarations; 5.Animation; 6.Seriousness; 7.Theatre; References; Index
330   $a"This book will constitute an original intervention into longstanding but insistently relevant debates around the significance of notions of 'performativity' to the critical analysis of early modern drama. In particular, the book aims to:show how the investigation of performativity can enable readings of Shakespeare and Jonson that challenge the dominant methodological frameworks within which those plays have come to be read;demonstrate that the thought of performativity does not come to rest in the simplicity of method or instrumentality, and that it resists its own claim that language and action might be understood as unproblematically instrumental;demonstrate that this self-resistance occurs or takes place as a moment in the process of articulating the claims of the performative, and that this process is itself in an important sense dramatic"--$cProvided by publisher.
410  0$aRoutledge studies in Renaissance literature and culture ;$v22.
606   $aPerformative (Philosophy)
606   $aEnglish drama$yEarly modern and Elizabethan, 1500-1600$xHistory and criticism
606   $aEnglish drama$y17th century$xHistory and criticism
608   $aElectronic books.
615  0$aPerformative (Philosophy)
615  0$aEnglish drama$xHistory and criticism.
615  0$aEnglish drama$xHistory and criticism.
676   $a822.3/3
700   $aLoxley$b James$f1968-,$0999650
701   $aRobson$b Mark$f1968-$0999651
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910465422703321
996   $aShakespeare, Jonson, and the claims of the performative$92294665
997   $aUNINA