LEADER 04151nam 2200709Ia 450 001 9910465397303321 005 20200520144314.0 010 $a1-283-59207-X 010 $a9786613904522 010 $a0-8135-4991-4 024 7 $a10.36019/9780813549910 035 $a(CKB)2560000000092795 035 $a(EBL)1017166 035 $a(OCoLC)818860946 035 $a(SSID)ssj0000747451 035 $a(PQKBManifestationID)11440801 035 $a(PQKBTitleCode)TC0000747451 035 $a(PQKBWorkID)10706530 035 $a(PQKB)10780197 035 $a(MiAaPQ)EBC1017166 035 $a(OCoLC)811641689 035 $a(MdBmJHUP)muse17465 035 $a(DE-B1597)530297 035 $a(DE-B1597)9780813549910 035 $a(Au-PeEL)EBL1017166 035 $a(CaPaEBR)ebr10599116 035 $a(CaONFJC)MIL390452 035 $a(EXLCZ)992560000000092795 100 $a20110610d2012 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aTransatlantic spectacles of race$b[electronic resource] $ethe tragic mulatta and the tragic muse /$fKimberly Snyder Manganelli 210 $aNew Brunswick, N.J. $cRutgers University Press$dc2012 215 $a1 online resource 225 0 $aThe American Literatures Initiative 300 $a"A book in the American Literatures Initiative (ALI). 311 $a0-8135-4987-6 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tAcknowledgments -- $tIntroduction: "I Thought That to Seem Was to Be": Spectacles of Race in the Nineteenth-Century Transatlantic Imaginary -- $t1. "Stamped and Molded by Pleasure": The Transnational Mulatta in Jamaica and Saint-Domingue -- $t2. "Fascinating Allurements of Gold": New Orleans's "Copper-Colored Nymphs" and the Tragic Mulatta -- $t3. "Oh Heavens! What Am I?": The Tragic Mulatta as Sensation Heroine -- $t4. "I Wonder What Market He Means That Daughter For": The Beautiful Jewess and the Tragic Muse -- $t5. "After All, Living Is but to Play a Part": The Tragic Mulatta Plays the Tragic Muse -- $tConclusion: "I Know What I Am": Race and the Triumphant "New Woman" -- $tNotes -- $tIndex -- $tAbout the Author 330 $aThe tragic mulatta was a stock figure in nineteenth-century American literature, an attractive mixed-race woman who became a casualty of the color line. The tragic muse was an equally familiar figure in Victorian British culture, an exotic and alluring Jewish actress whose profession placed her alongside the "fallen woman." In Transatlantic Spectacles of Race, Kimberly Manganelli argues that the tragic mulatta and tragic muse, who have heretofore been read separately, must be understood as two sides of the same phenomenon. In both cases, the eroticized and racialized female body is put on public display, as a highly enticing commodity in the nineteenth-century marketplace. Tracing these figures through American, British, and French literature and culture, Manganelli constructs a host of surprising literary genealogies, from Zelica to Daniel Deronda, from Uncle Tom's Cabin to Lady Audley's Secret. Bringing together an impressive array of cultural texts that includes novels, melodramas, travel narratives, diaries, and illustrations, Transatlantic Spectacles of Race reveals the value of transcending literary, national, and racial boundaries. 606 $aRacially mixed women in literature 606 $aTragic, The, in literature 606 $aRace in literature 606 $aJewish women in literature 608 $aElectronic books. 615 0$aRacially mixed women in literature. 615 0$aTragic, The, in literature. 615 0$aRace in literature. 615 0$aJewish women in literature. 676 $a809/.933522 700 $aManganelli$b Kimberly Snyder$01030197 712 02$aAmerican Literatures Initiative. 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910465397303321 996 $aTransatlantic spectacles of race$92447009 997 $aUNINA LEADER 04927nam 2200721 450 001 9910796973503321 005 20230814223056.0 010 $a3-11-057403-9 010 $a3-11-057639-2 024 7 $a10.1515/9783110576399 035 $a(CKB)4100000005043738 035 $a(MiAaPQ)EBC5505559 035 $a(DE-B1597)489282 035 $a(OCoLC)1046610051 035 $a(DE-B1597)9783110576399 035 $a(Au-PeEL)EBL5505559 035 $a(CaPaEBR)ebr11605909 035 $a(OCoLC)1037884040 035 $a(EXLCZ)994100000005043738 100 $a20180924d2018 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aWhy China did not have a renaissance - and why that matters $ean interdisciplinary dialogue /$fThomas Maissen and Barbara Mittler 205 $aFirst edition. 210 1$aBerlin ;$aBoston :$cWalter de Gruyter,$d[2018] 210 4$dİ2018 215 $a1 online resource (258 pages) 225 0 $aCritical readings in global intellectual history,$x2568-843X ;$vVolume 1 311 $a3-11-057396-2 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tList of illustrations -- $tSeries editors' note / $rBanerjee, Milinda / Meurer, Sebastian / Richter, Susan -- $tPrologue -- $tPeriodization in a global context / $rMaissen, Thomas / Mittler, Barbara -- $tIntroduction -- $tEpochal changes in a global context - Toward a History-in-common / $rMittler, Barbara -- $tDefining epochs in global history - Can we write a History-in-common without shared concepts? / $rMaissen, Thomas -- $tPart I. Periodization -- $tEurope: Secularizing teleological models / $rMaissen, Thomas -- $tChina: Engendering teleological models / $rMittler, Barbara -- $tPart II .Renaissances -- $tThe view from Europe: The Renaissance / $rMaissen, Thomas -- $tThe view from China: r/Renaissances / $rMittler, Barbara -- $tConclusion -- $tThe Renaissance and the rise of the West / $rMaissen, Thomas -- $tRenaissance-in-common? History-as-dialogue / $rMittler, Barbara -- $tEpilogue -- $tWhy China did not have a Renaissance - and why that matters: Conflicting approaches to periodization / $rMaissen, Thomas / Mittler, Barbara -- $tAppendix -- $tSources from the European Renaissance -- $tSources from the Chinese Renaissance -- $tAcknowledgements -- $tWorks cited -- $tIndex of names and places 330 $aConcepts of historical progress or decline and the idea of a cycle of historical movement have existed in many civilizations. In spite of claims that they be transnational or even universal, periodization schemes invariably reveal specific social and cultural predispositions.Our dialogue, which brings together a Sinologist and a scholar of early modern History in Europe, considers periodization as a historical phenomenon, studying the case of the "Renaissance." Understood in the tradition of J. Burckhardt, who referred back to ideas voiced by the humanists of the 14th and 15th centuries, and focusing on the particularities of humanist dialogue which informed the making of the "Renaissance" in Italy, our discussion highlights elements that distinguish it from other movements that have proclaimed themselves as "r/Renaissances," studying, in particular, the Chinese Renaissance in the early 20th century.While disagreeing on several fundamental issues, we suggest that interdisciplinary and interregional dialogue is a format useful to addressing some of the more far-reaching questions in global history, e.g. whether and when a periodization scheme such as "Renaissance" can fruitfully be applied to describe non-European experiences. 606 $aRenaissance 606 $aHISTORY / Renaissance$2bisacsh 606 $aHISTORY / Asia / General$2bisacsh 606 $aHISTORY / Asia / China$2bisacsh 606 $aHISTORY / Europe / General$2bisacsh 606 $aHISTORY / Europe / Western$2bisacsh 606 $aHISTORY / Study & Teaching$2bisacsh 606 $aHISTORY / Modern / General$2bisacsh 607 $aChina$xHistory$yMing dynasty, 1368-1644 615 0$aRenaissance. 615 7$aHISTORY / Renaissance. 615 7$aHISTORY / Asia / General. 615 7$aHISTORY / Asia / China. 615 7$aHISTORY / Europe / General. 615 7$aHISTORY / Europe / Western. 615 7$aHISTORY / Study & Teaching. 615 7$aHISTORY / Modern / General. 676 $a909/.4 686 $aHIS037020$aHIS003000$aHIS008000$aHIS010000$aHIS010020$aHIS035000$aHIS037030$2bisacsh 700 $aMaissen$b Thomas$f1962-$0945139 702 $aMittler$b Barbara$f1968- 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910796973503321 996 $aWhy China did not have a renaissance - and why that matters$93801720 997 $aUNINA