LEADER 02609nam 2200529 a 450 001 9910465370803321 005 20200520144314.0 010 $a0-8108-8507-7 035 $a(CKB)2560000000102513 035 $a(EBL)1213917 035 $a(SSID)ssj0000890425 035 $a(PQKBManifestationID)12446361 035 $a(PQKBTitleCode)TC0000890425 035 $a(PQKBWorkID)10887546 035 $a(PQKB)11279001 035 $a(MiAaPQ)EBC1213917 035 $a(Au-PeEL)EBL1213917 035 $a(CaPaEBR)ebr10719704 035 $a(CaONFJC)MIL497869 035 $a(OCoLC)851316094 035 $a(EXLCZ)992560000000102513 100 $a20120305d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAltman and after$b[electronic resource] $emultiple narratives in film /$fPeter F. Parshall 210 $aLanham, Md. $cScarecrow Press$d2012 215 $a1 online resource (264 p.) 300 $aDescription based upon print version of record. 311 $a0-8108-8506-9 320 $aIncludes bibliographical references and index. 327 $aIntroduction: the potential of complex narratives mosaic narrative -- Nashville: pitching songs and selling politicians network narrative -- Pulp Fiction pop culture's poster child -- Amores perros of dogs and rats and goats -- Code unknown -- Cinematic cryptogram -- The edge of heaven parallel paths database narrative -- Virgin stripped bare by her bachelors the end of idealism -- Run Lola run into the labyrinth of Berlin -- The double life of Ve?ronique a haunting sense of connection -- Conclusion: tying up the threads -- Appendix: further complex narratives of interest. 330 $aIn Altman & After: Multiple Narratives in Film, Peter Parshall carefully examines films that feature various plotlines. In each chapter, Parshall looks at a different example of the multi-plot form, such as network narrative and the multiple-draft narrative, demonstrating that the structure of each is central to their artistry, and that these devices open up a variety of creative vistas. Films studied in this book include Nashville,