LEADER 03617nam 2200721Ia 450 001 9910465370703321 005 20200520144314.0 010 $a1-4294-0543-0 010 $a1-280-52578-9 010 $a0-19-534500-2 035 $a(CKB)2560000000295588 035 $a(EBL)271307 035 $a(OCoLC)191952806 035 $a(SSID)ssj0000138394 035 $a(PQKBManifestationID)11954224 035 $a(PQKBTitleCode)TC0000138394 035 $a(PQKBWorkID)10100458 035 $a(PQKB)10466388 035 $a(StDuBDS)EDZ0000034459 035 $a(MiAaPQ)EBC271307 035 $a(Au-PeEL)EBL271307 035 $a(CaPaEBR)ebr10142053 035 $a(CaONFJC)MIL52578 035 $a(OCoLC)935260279 035 $a(EXLCZ)992560000000295588 100 $a19910301d1994 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDialogue and literature$b[electronic resource] $eapostrophe, auditors, and the collapse of romantic discourse /$fMichael Macovski 210 $aNew York $cOxford University Press$d1994 215 $a1 online resource (244 p.) 300 $aDescription based upon print version of record. 311 $a0-19-506965-X 311 $a0-19-985518-8 320 $aIncludes bibliographical references (p. 211-220) and index. 327 $aContents; Abbreviations; I: Romantic Formalism and the Specular Lyric; 1. Knowledge, Rhetoric, and Authority: Toward a Theory of Romantic Dialogue; 2. ""The Language of My Former Heart"": Wordsworth, Bakhtin, and the Diachronic Dialogue; 3. Coleridge, the ""Rime,"" and the Instantiation of Outness; II: The Novel All Told: Audition, Orality, and the Collapse of Dialogue; 4. Three Blind Mariners and a Monster: Frankenstein as Vocative Text; 5. Wuthering Heights and the Rhetoric of Interpretation; 6. The Heartbeat of Darkness: Listening in(to) the Twentieth Century 327 $a7. Conclusion: Dialogue, Culture, and the Heuristic ""Third""Notes; Works Cited; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W 330 $aExtending and reframing the works of Bakhtin, Gadamer, Ong, and Foucault--with particular emphasis on Bakhtin's late essays --Macovski constructs a theoretical model of literary dialogue and applies it to a range of Romantic texts. In reconsidering specific works within the context of culturalheuristics, rhetorical theory, and literary history, Macovski redefines Romantic discourse as both extratextual and agonistic. He thereby re-evaluates such Romantic topics as the history of the autotelic self, the proliferation of lyric orality, and the nineteenth-century critique of rhetoric. Heexamines 606 $aEnglish literature$y19th century$xHistory and criticism$xTheory, etc 606 $aEnglish literature$y20th century$xHistory and criticism$xTheory, etc 606 $aDiscourse analysis, Literary 606 $aRomanticism$zGreat Britain 606 $aReader-response criticism 606 $aDialogue 608 $aElectronic books. 615 0$aEnglish literature$xHistory and criticism$xTheory, etc. 615 0$aEnglish literature$xHistory and criticism$xTheory, etc. 615 0$aDiscourse analysis, Literary. 615 0$aRomanticism 615 0$aReader-response criticism. 615 0$aDialogue. 676 $a820.9008 700 $aMacovski$b Michael Steven$0874137 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910465370703321 996 $aDialogue and literature$92131835 997 $aUNINA