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Knowledge, Rhetoric, and Authority: Toward a Theory of Romantic Dialogue; 2. ""The Language of My Former Heart"": Wordsworth, Bakhtin, and the Diachronic Dialogue; 3. Coleridge, the ""Rime,"" and the Instantiation of Outness; II: The Novel All Told: Audition, Orality, and the Collapse of Dialogue; 4. Three Blind Mariners and a Monster: Frankenstein as Vocative Text; 5. Wuthering Heights and the Rhetoric of Interpretation; 6. The Heartbeat of Darkness: Listening in(to) the Twentieth Century 327 $a7. Conclusion: Dialogue, Culture, and the Heuristic ""Third""Notes; Works Cited; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W 330 $aExtending and reframing the works of Bakhtin, Gadamer, Ong, and Foucault--with particular emphasis on Bakhtin's late essays --Macovski constructs a theoretical model of literary dialogue and applies it to a range of Romantic texts. 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