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100   $a20090603d2009      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 14$aThe strangeness of tragedy$b[electronic resource] /$fPaul Hammond
210   $aOxford $cOxford University Press$d2009
215   $a260 pages
300   $aIncludes index.
311   $a0-19-957260-7 
311   $a0-19-170209-9 
320   $aIncludes bibliographical references and index.
327   $aContents; A Note on Texts and Translations; Abbreviations; Prologue; 1 The Work of Tragedy; 2 Aeschylus, Oresteia; 3 Sophocles, Electra; 4 Sophocles, Oedipus the King and Oedipus at Colonus; 5 Sophocles, Antigone; 6 Seneca, Thyestes; 7 Shakespeare, Macbeth; 8 Shakespeare, Othello; 9 Shakespeare, King Lear; 10 Racine, Phe?dre; Epilogue; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; V; W
330   $aThis book reads tragedy as a genre in which the protagonist is estranged from the world around him, and, displaced in time, space, and language, comes to inhabit a milieu which is no longer shared by other characters. This alienation from others also entails a decomposition of the integrity of the individual, which is often seen in tragedy's uncertainty about the protagonists' autonomy: do they act, or do the gods act through them? Where are the boundaries of the self, and theboundaries of the human? After an introductory essay exploring the theatrical and linguistic means by which the protago
606   $aTragedy$xHistory and criticism
606   $aTragic, The
608   $aElectronic books.
615  0$aTragedy$xHistory and criticism.
615  0$aTragic, The.
676   $a809.2512
700   $aHammond$b Paul$f1953-$0846627
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910465367003321
996   $aThe strangeness of tragedy$91891633
997   $aUNINA