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200 10$a"Fallen from the symboled world"$b[electronic resource] $eprecedents for the new formalism /$fWyatt Prunty
210   $aNew York $cOxford University Press$d1990
215   $a1 online resource (335 p.)
300   $aDescription based upon print version of record.
311   $a0-19-505786-4 
311   $a0-19-985512-9 
320   $aIncludes bibliographical references (p. 301-308) and index.
327   $aCONTENTS; INTRODUCTION; 1 Symbol, Allegory, Causality, and the Phenomenal Flux; 2 Emaciated Poetry and the Imaginative Diet; 3 Poems That Speak, Poems That Sing; 4 Howard Nemerov: Mimicry and Other Tropes; 5 Patterns of Similitude in the Poetry of Justice, Hecht, Van Duyn, Bishop, Wilbur, Hollander, Pack, and Pinsky; CONCLUSION; NOTES; INDEX; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z
330   $aThis study evaluates figure and form in contemporary poetry, especially the powers of simile and simile-like structures. Examining the works of Nemerov, Wilbur, Bowers, Hecht, Justice, Cunningham, Bishop, Van Duyn, Hollander, Pack, Kennedy, Ammons, Creeley, and Wright, Prunty argues thatdoubts about language, the tradition, and theistic assumptions embedded in the tradition have made simile and various simile-like arrangements into major modes of thought.  From Lowell's early interest in the ""similitudo"" and the ""phantasm"" of Gilson, to Husserl's ""phantasies"" and Heidegger'sinterest in s
606   $aAmerican poetry$y20th century$xHistory and criticism
606   $aAmerican literature$y20th century$xHistory and criticism
608   $aElectronic books.
615  0$aAmerican poetry$xHistory and criticism.
615  0$aAmerican literature$xHistory and criticism.
676   $a811/.54/09
700   $aPrunty$b Wyatt$0551247
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801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910465366503321
996   $a""Fallen from the symboled world"$9968659
997   $aUNINA