LEADER 03360nam 22007092 450 001 9910465363403321 005 20151005020624.0 010 $a1-107-23502-2 010 $a1-107-30135-1 010 $a1-107-50780-4 010 $a1-107-30557-8 010 $a1-139-01372-6 010 $a1-107-30644-2 010 $a1-107-30864-X 010 $a1-107-31419-4 010 $a1-299-25724-0 035 $a(CKB)2560000000098595 035 $a(EBL)1113058 035 $a(OCoLC)828302523 035 $a(SSID)ssj0000833502 035 $a(PQKBManifestationID)11504748 035 $a(PQKBTitleCode)TC0000833502 035 $a(PQKBWorkID)10936464 035 $a(PQKB)10200451 035 $a(UkCbUP)CR9781139013727 035 $a(MiAaPQ)EBC1113058 035 $a(Au-PeEL)EBL1113058 035 $a(CaPaEBR)ebr10655828 035 $a(CaONFJC)MIL456974 035 $a(EXLCZ)992560000000098595 100 $a20110210d2013|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aJohn Cage and David Tudor $ecorrespondence on interpretation and performance /$fMartin Iddon$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2013. 215 $a1 online resource (xiii, 225 pages) $cdigital, PDF file(s) 225 1 $aMusic since 1900 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a1-107-01432-8 311 $a1-107-31199-3 320 $aIncludes bibliographical references and index. 327 $aThe music of chance -- Correspondence, 1951-1953 -- Determining the determinate -- Determining the indeterminate -- Correspondence, 1958-1962 -- (In)determining the indeterminate -- Correspondence, 1965-1989 -- 'Late' realizations -- Praxis and poiesis in indeterminate music. 330 $aJohn Cage is best known for his indeterminate music, which leaves a significant level of creative decision-making in the hands of the performer. But how much licence did Cage allow? Martin Iddon's book is the first volume to collect the complete extant correspondence between the composer and pianist David Tudor, one of Cage's most provocative and significant musical collaborators. The book presents their partnership from working together in New York in the early 1950s, through periods on tour in Europe, until the late stages of their work from the 1960s onwards, carried out almost exclusively within the frame of the Merce Cunningham Dance Company. Tackling the question of how much creative flexibility Tudor was granted, Iddon includes detailed examples of the ways in which Tudor realised Cage's work, especially focusing on Music of Changes to Variations II, to show how composer and pianist influenced one another's methods and styles. 410 0$aMusic since 1900. 517 3 $aJohn Cage & David Tudor 606 $aComposers$vCorrespondence 606 $aPianists$vCorrespondence 615 0$aComposers 615 0$aPianists 676 $a780.92/2 700 $aIddon$b Martin$f1975-$01028750 702 $aCage$b John 702 $aTudor$b David$f1926-1996, 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910465363403321 996 $aJohn Cage and David Tudor$92486859 997 $aUNINA