LEADER 03430nam 2200565 450 001 9910465294203321 005 20200520144314.0 010 $a1-4438-6558-3 035 $a(CKB)3710000000218141 035 $a(EBL)1765210 035 $a(SSID)ssj0001288473 035 $a(PQKBManifestationID)12526258 035 $a(PQKBTitleCode)TC0001288473 035 $a(PQKBWorkID)11293584 035 $a(PQKB)11116693 035 $a(MiAaPQ)EBC1765210 035 $a(Au-PeEL)EBL1765210 035 $a(CaPaEBR)ebr10909477 035 $a(CaONFJC)MIL636940 035 $a(OCoLC)887507728 035 $a(EXLCZ)993710000000218141 100 $a20140828h20132013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aCinema and evil $emoral complexities and the "dangerous" film /$fby Dara Waldron 210 1$aNewcastle upon Tyne, England :$cCambridge Scholars Publishing,$d2013. 210 4$dİ2013 215 $a1 online resource (229 p.) 300 $aDescription based upon print version of record. 311 $a1-4438-4342-3 320 $aIncludes bibliographical references, filmography. 327 $aTABLE OF CONTENTS; ACKNOWLEDGEMENTS; INTRODUCTION; CHAPTER ONE - 'TRYING TO SEE DARKNESS'; Augustine and Theology; Responsibility; The Cathars; Paradise Lost; The Language of 'Sin'; Milton and Augustine; Kant and the Moral Law; Immoral Action; The Act of Evil; Interlude on Good and Evil; Lacan and Evil; In Finale: Kant avec Bataille; CHAPTER TWO - THE 'DISCOURSE ON EVIL' IN FRITZ LANG''S M (1931) AND ORSON WELLES''S TOUCH OF EVIL (1958); Introduction; M and Evil; Confessions; Welles and the Law; Welles and the Noir Landscape; Nothing but Desire; Conclusion: Desire and Evil 327 $aCHAPTER THREE - PASOLINI AND THE REMNANTS OF NEOREALISMThe Remnants of Neo-Realism; The Beatific Vision and Pasolini's 'Nightmare'; The Messianic Intruder; Salo? and the Ethical Test; Conclusion: 'Til Death Do Us Part; CHAPTER FOUR - 'STRIKE DEAR MISTRESS AND CURE HIS HEART''; Introduction; Masochism and the Law; Christology and Moral Crisis; Conclusion: The Fascist Within; Epilogue: Cavani and Evil; CHAPTER FIVE - 'BARBARISM BEGINS AT HOME'; The Evil That Young Men Do; Mea Culpa (and I Don't Care)/ or: Haneke's Cosmology; Haneke the Augustinian; CHAPTER SIX - DOLI INCAPAX? 327 $aFriends and EnemiesEyes Wide Shut?; CHAPTER SEVEN - SEEING AND FAILING TO SEE AGAIN; After Salo?; Banal or Radical Evil?; CONCLUSION; POSTSCRIPT; BIBLIOGRAPHY; FILMOGRAPHY 330 $aMalevolence (and its causes) has been central to film since its inception; the birth of film coinciding with a fascination with crime, death, murder, horror, etc. Films which address the problem of evil, however, are less frequent and fewer in quantity; especially films which respond to a body of thought - philosophical or theological - which has deliberated on the topic of evil over the centuries. Cinema and Evil: Moral Responsibility and the ""Dangerous"" Film addresses these films. It explor... 606 $aEvil in motion pictures 608 $aElectronic books. 615 0$aEvil in motion pictures. 676 $a791.43653 700 $aWaldron$b Dara$0864516 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910465294203321 996 $aCinema and evil$91929499 997 $aUNINA