LEADER 03302nam 2200601 a 450 001 9910465267603321 005 20200520144314.0 010 $a0-8173-8481-2 035 $a(CKB)2560000000079528 035 $a(EBL)835688 035 $a(OCoLC)772845414 035 $a(SSID)ssj0000641988 035 $a(PQKBManifestationID)12217472 035 $a(PQKBTitleCode)TC0000641988 035 $a(PQKBWorkID)10647386 035 $a(PQKB)10030125 035 $a(MiAaPQ)EBC835688 035 $a(Au-PeEL)EBL835688 035 $a(CaPaEBR)ebr10527720 035 $a(EXLCZ)992560000000079528 100 $a20120227d2010 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 04$aThe prop's the thing$b[electronic resource] $estage properties reconsidered 210 $aTuscaloosa, Ala. $cSoutheastern Theatre Conference and the University of Alabama Press$d2010 215 $a1 online resource (152 p.) 225 1 $aTheatre symposium : a publication of the Southeastern Theatre Conference ;$vv. 18 300 $aDescription based upon print version of record. 311 $a0-8173-7005-6 320 $aIncludes bibliographical references. 327 $aContents; Introduction; Through the Eyes of the Property Director; "Summon up the Blood": The Stylized (or Sticky) Stuff of Violence in Three Plays by Sarah Kane; Helen's Theatrical Me?chane?: Props and Costumes in Euripides' Helen; A Cannonade of Weapons: Signs of Transgression in the Early Commedia dell'arte; Adding Some "PEP" ("Proto-Expressionistic Props") to the Swedish Stage: Strindberg's Property Usage and His Intima Teater; Rattle Away at Your Bin: Women, Community, and Bin Lids in Northern Irish Drama; Bearing Witness: The Noose as an Iconic Prop in African American Theatre 327 $aHawaiian Culture Propped High with Meaning: The Lei Hoaka in Victoria Nalani Kneubuhl's EmmalehuaRevisiting Eva Marie Saint's White Glove: On Props, Neurons, Subtext, and Empathy; From Props to Affordances: An Ecological Approachto Theatrical Objects; "Take up the Bodies": Shakespeare's Body Parts, Babies, and Corpses; Contributors 330 $aStage properties are an often-ignored aspect of theatrical productions, in part because their usage is meant to be seamlessly integrated into the performance instead of a focal point for the audience. However, a skillfully used prop can augment the action, just as a malfunctioning prop can destroy the illusion of the scene. The essays in "Theatre Symposium: Volume 18" approach the subject of stage props from many angles, and include examinations of props in contemporary and historical productions, explorations of the cultural significance of specific props, and arguments about the 410 0$aTheatre symposium ;$vv. 18. 606 $aStage props 606 $aTheater$vCongresses 608 $aElectronic books. 615 0$aStage props. 615 0$aTheater 676 $a792.05 676 $a792/.05 712 02$aSoutheastern Theatre Conference (U.S.) 712 12$aSETC Theatre Symposium. 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910465267603321 996 $aThe prop's the thing$92027578 997 $aUNINA