LEADER 04288nam 2200793 a 450 001 9910465247703321 005 20210727114229.0 010 $a1-282-15712-4 010 $a1-4008-2506-7 010 $a9786612157127 010 $a0-691-07485-2 024 7 $a10.1515/9781400825066 035 $a(CKB)2560000000324397 035 $a(EBL)457793 035 $a(OCoLC)647823094 035 $a(SSID)ssj0000216441 035 $a(PQKBManifestationID)11191063 035 $a(PQKBTitleCode)TC0000216441 035 $a(PQKBWorkID)10197993 035 $a(PQKB)10175709 035 $a(MiAaPQ)EBC457793 035 $a(MdBmJHUP)muse36076 035 $a(DE-B1597)446512 035 $a(OCoLC)979623779 035 $a(DE-B1597)9781400825066 035 $a(PPN)199244375 035 $a(Au-PeEL)EBL457793 035 $a(CaPaEBR)ebr10312442 035 $a(CaONFJC)MIL215712 035 $a(EXLCZ)992560000000324397 100 $a20010730d2002 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe origins of criticism$b[electronic resource] $eliterary culture and poetic theory in classical Greece /$fAndrew Ford 205 $aCourse Book 210 $aPrinceton, N.J. $cPrinceton University Press$dc2002 215 $a1 online resource (372 p.) 300 $aDescription based upon print version of record. 311 $a0-691-12025-0 320 $aIncludes bibliographical references (p. [297]-330) and indexes. 327 $apt. 1. Archaic roots of classical aesthetics -- pt. 2. The invention of poetry -- pt. 3. Toward a theory of poetry -- pt. 4. Literary theory in the fourth century. 330 $aBy "literary criticism" we usually mean a self-conscious act involving the technical and aesthetic appraisal, by individuals, of autonomous works of art. Aristotle and Plato come to mind. The word "social" does not. Yet, as this book shows, it should--if, that is, we wish to understand where literary criticism as we think of it today came from. Andrew Ford offers a new understanding of the development of criticism, demonstrating that its roots stretch back long before the sophists to public commentary on the performance of songs and poems in the preliterary era of ancient Greece. He pinpoints when and how, later in the Greek tradition than is usually assumed, poetry was studied as a discipline with its own principles and methods. The Origins of Criticism complements the usual, history-of-ideas approach to the topic precisely by treating criticism as a social as well as a theoretical activity. With unprecedented and penetrating detail, Ford considers varying scholarly interpretations of the key texts discussed. Examining Greek discussions of poetry from the late sixth century B.C. through the rise of poetics in the late fourth, he asks when we first can recognize anything like the modern notions of literature as imaginative writing and of literary criticism as a special knowledge of such writing. Serving as a monumental preface to Aristotle's Poetics, this book allows readers to discern the emergence, within the manifold activities that might be called criticism, of the historically specific discourse on poetry that has shaped subsequent Western approaches to literature. 606 $aGreek literature$xHistory and criticism$xTheory, etc 606 $aLiterature$xHistory and criticism$xTheory, etc 606 $aPoetry$xHistory and criticism$xTheory, etc 606 $aCriticism$zGreece$xHistory$yTo 1500 606 $aLiterature$xPhilosophy 606 $aPhilosophy, Ancient 606 $aRhetoric, Ancient 608 $aElectronic books. 615 0$aGreek literature$xHistory and criticism$xTheory, etc. 615 0$aLiterature$xHistory and criticism$xTheory, etc. 615 0$aPoetry$xHistory and criticism$xTheory, etc. 615 0$aCriticism$xHistory 615 0$aLiterature$xPhilosophy. 615 0$aPhilosophy, Ancient. 615 0$aRhetoric, Ancient. 676 $a880.9/001 700 $aFord$b Andrew Laughlin$0286858 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910465247703321 996 $aThe origins of criticism$92190678 997 $aUNINA