LEADER 03773nam 2200649 450 001 9910465222503321 005 20200520144314.0 010 $a1-317-15891-1 010 $a1-4724-2107-8 035 $a(CKB)2560000000141690 035 $a(EBL)1678743 035 $a(SSID)ssj0001181273 035 $a(PQKBManifestationID)12553043 035 $a(PQKBTitleCode)TC0001181273 035 $a(PQKBWorkID)11143682 035 $a(PQKB)11526448 035 $a(MiAaPQ)EBC1678743 035 $a(Au-PeEL)EBL1678743 035 $a(CaPaEBR)ebr10861718 035 $a(CaONFJC)MIL622020 035 $a(OCoLC)878524436 035 $a(EXLCZ)992560000000141690 100 $a20140430h20142014 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aCountercultures and popular music /$fedited by Sheila Whiteley and Jedediah Sklower ; contributors Gina Arnold [and seventeen others] 210 1$aFarnham, England ;$aBurlington, Vermont :$cAshgate,$d2014. 210 4$dİ2014 215 $a1 online resource (316 p.) 225 1 $aAshgate Popular and Folk Music Series 300 $aDescription based upon print version of record. 311 $a1-4724-2106-X 320 $aIncludes bibliographical references, filmography and index. 327 $aCover; Contents; List of Figures; General Editors' Preface; Notes on Contributors; Preface: Dissent within Dissent; Introduction; Countercultures and Popular Music; Reappraising 'Counterculture'; Part I Theorising Countercultures; 1 Break on Through: The Counterculture and the Climax of American Modernism; 2 The Banality of Degradation: Andy Warhol, the Velvet Underground and the Trash Aesthetic; 3 Were British Subcultures the Beginning of Multitude?; Part II Utopias, Dystopias and the Apocalyptic 327 $a4 The Rock Counterculture from Modernist Utopianism to the Development of an Alternative Music Scene 5 'Helter Skelter' and Sixties Revisionism; 6 Apocalyptic Music: Reflections on Countercultural Christian Influence; 7 Nobody's Army: Contradictory Cultural Rhetoric in Woodstock and Gimme Shelter; Part III Sonic Anarchy and Freaks; 8 The Long Freak Out: Unfinished Music and Countercultural Madness in Avant-Garde Rock of the 1960's and 1970's; 9 The Grateful Dead and Friedrich Nietzsche: Transformation in Music and Consciousness; 10 Scream from the Heart: Yoko Ono's Rock and Roll Revolution 327 $a11 From Countercultures to Suburban Cultures: Frank Zappa after 1968 Part IV Countercultural Scenes - Music and Place; 12 Countercultural Space Does Not Persist: Christiania and the Role of Music; 13 A Border-Crossing Soundscape of Pop: The Auditory Traces of Subcultural Practices in 1960's Berlin; 14 Music and Countercultures in Italy: The Neapolitan Scene; Bibliography; Discography; Filmography; Index 330 $a'Counterculture' emerged as a term in the late 1960's and has been re-deployed in more recent decades in relation to other forms of cultural and socio-political phenomena. This volume provides an essential new academic scrutiny of the concept of 'counterculture' and a critical examination of the period and its heritage. 410 0$aAshgate popular and folk music series. 606 $aPopular music$xSocial aspects 606 $aCounterculture 608 $aElectronic books. 615 0$aPopular music$xSocial aspects. 615 0$aCounterculture. 676 $a306.4/8424 702 $aWhiteley$b Sheila$f1941- 702 $aSklower$b Jedediah 702 $aArnold$b Gina 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910465222503321 996 $aCountercultures and popular music$92133371 997 $aUNINA