LEADER 03110nam  2200589   450 
001 9910465162603321
005 20200520144314.0
010   $a1-62103-959-5
035   $a(CKB)2560000000154652
035   $a(EBL)1113449
035   $a(OCoLC)818985742
035   $a(SSID)ssj0001185251
035   $a(PQKBManifestationID)12521647
035   $a(PQKBTitleCode)TC0001185251
035   $a(PQKBWorkID)11198645
035   $a(PQKB)11566749
035   $a(StDuBDS)EDZ0000204135
035   $a(MiAaPQ)EBC1113449
035   $a(Au-PeEL)EBL1113449
035   $a(CaPaEBR)ebr11080352
035   $a(CaONFJC)MIL812410
035   $a(EXLCZ)992560000000154652
100   $a20121116d2013      ub|            0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 00$aJapanese animation $eEast Asian perspectives /$fedited by Masao Yokota and Tze-yue G. Hu
210  1$aJackson, Mississippi :$cUniversity Press of Mississippi,$d2013.
215   $a1 online resource (326 p.)
300   $aDescription based upon print version of record.
311   $a1-62846-179-9 
311   $a1-61703-809-1 
320   $aIncludes bibliographical references and index.
327   $aAnimation Studies and Animation History in Japan -- Pioneers of Japanese Animation -- Popular Culture, East-West Expressions, and Tezuka Osamu -- Female Characters and Transnational Identities -- Artistic Animation and Expression in Japan -- Japan's First Commercial Animation Studio after the Second World War: Toei.
330   $a"Japanese Animation: East Asian Perspectives makes available for the first time to English readership a selection of viewpoints from media practitioners, designers, educators, and scholars working in the East Asian Pacific. This collection not only engages a multidisciplinary approach in understanding the subject of Japanese animation but also shows ways to research, teach, and more fully explore this multidimensional world. Presented in six sections, the translated essays cross-reference each other. The collection adopts a wide range of critical, historical, practical, and experimental approaches. This variety provides a creative and fascinating edge for both specialist and nonspecialist readers. Contributors' works share a common relevance, interest, and involvement despite their regional considerations and the different modes of analysis demonstrated. They form a composite of teaching and research ideas on Japanese animation"--$cProvided by publisher.
606   $aAnimated films$zJapan$xHistory and criticism
606   $aAnimated television programs$zJapan$xHistory and criticism
608   $aElectronic books.
615  0$aAnimated films$xHistory and criticism.
615  0$aAnimated television programs$xHistory and criticism.
676   $a791.43/340952
702   $aYokota$b Masao$f1954-
702   $aHu$b Tze-yue G.
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910465162603321
996   $aJapanese animation$92487913
997   $aUNINA