LEADER 05334nam 2200721Ia 450 001 9910465135303321 005 20200520144314.0 010 $a0-19-514836-3 010 $a1-4237-3872-1 010 $a1-280-48178-1 010 $a0-19-802215-8 010 $a9786610481781 035 $a(CKB)2560000000299351 035 $a(EBL)241373 035 $a(OCoLC)630528971 035 $a(SSID)ssj0000124357 035 $a(PQKBManifestationID)11936819 035 $a(PQKBTitleCode)TC0000124357 035 $a(PQKBWorkID)10015791 035 $a(PQKB)11684060 035 $a(StDuBDS)EDZ0000075935 035 $a(MiAaPQ)EBC241373 035 $a(Au-PeEL)EBL241373 035 $a(CaPaEBR)ebr10086980 035 $a(CaONFJC)MIL48178 035 $a(EXLCZ)992560000000299351 100 $a19900516d1990 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aCognitive foundations of musical pitch$b[electronic resource] /$fCarol L. Krumhansl 210 $aNew York $cOxford University Press$d1990 215 $a1 online resource (318 p.) 225 1 $aOxford psychology series ;$vno. 17 300 $aDescription based upon print version of record. 311 $a0-19-505475-X 311 $a0-19-989320-9 320 $aIncludes bibliographical references and indexes. 327 $aContents; 1. OBJECTIVES AND METHODS; The approach of cognitive psychology; The plan of the research; Outline of the following chapters; 2. QUANTIFYING TONAL HIERARCHIES AND KEY DISTANCES; The tonal hierarchy; The first probe tone study: individual differences with a major-key context; Replication and extension to minor-key contexts; A derived measure of interkey distance; A spatial representation of interkey distance; Theoretical maps of key relationships; 3. MUSICAL CORRELATES OF PERCEIVED TONAL HIERARCHIES; Tonal consonance; Tonal consonance and tonal hierarchies 327 $aStatistical analyses of tonal compositions Tonal distributions and tonal hierarchies; Tonal hierarchies, tonal consonance, and tonal distributions; 4. A KEY-FINDING ALGORITHM BASED ON TONAL HIERARCHIES; The key-finding algorithm; Application I: initial segments of preludes of J. S. Bach, Shostakovich, and Chopin; Application II: fugue subjects of J. S. Bach and Shostakovich; Application III: J. S. Bach's C Minor Prelude, Book II; Limitations and possible extensions of the algorithm; 5. PERCEIVED RELATIONS BETWEEN MUSICAL TONES; Geometric representations of musical pitch 327 $aLimitations of geometric models Experimental measures of tonal relations; Correlations with tonal consonance and tonal distributions; 6. PERCEPTUAL ORGANIZATION AND PITCH MEMORY; Gestalt theory; Three principles of tonal stability; Perceptual organization in music: Segmentation and melodic similarity; 7. QUANTIFYING HARMONIC HIERARCHIES AND KEY DISTANCES; Music-theoretical descriptions of harmony; Quantifying the harmonic hierarchy; Harmonic hierarchy of diatonic triads I-VII; Deriving key distances from harmonic hierarchies; 8. PERCEIVED HARMONIC RELATIONS 327 $aPerceived harmonic relations and key structure Perceived harmonic relations of diatonic triads I-VII; Key context effects on perceived harmonic relations; Key structure and memory for chord sequences; Key context effects on memory for chord sequences; Relational effects on memory for chord sequences; Parallels between perceived tonal and harmonic structures; 9. PERCEIVING MULTIPLE KEYS: MODULATION AND POLYTONALITY; Tracing the developing and changing sense of key; Tonal hierarchies and polytonality; 10. TONAL HIERARCHIES IN ATONAL AND NON-WESTERN TONAL MUSIC 327 $aTonal hierarchies in 12-tone serial music Tonal hierarchies in North Indian music; Tonal hierarchies in Balinese music; Tonal hierarchies: some generalizations; 11. MUSIC COGNITION: THEORETICAL AND EMPIRICAL GENERALIZATIONS; Properties of the diatonic-harmonic system; Properties of pentatonic, octatonic, and North Indian scales; Properties emerging from the empirical studies; References; Author index; Subject index; 330 $aThis book addresses the central problem of music cognition: how listeners' responses move beyond mere registration of auditory events to include the organization, interpretation, and remembrance of these events in terms of their function in a musical context of pitch and rhythm. Equally important, the work offers an analysis of the relationship between the psychological organization of music and its internal structure. Combining over a decade of original research on music cognition with an overview of the available literature, the work will be of interest to cognitive and physiological psychol 410 0$aOxford psychology series ;$vno. 17. 606 $aMusic$xPsychological aspects 606 $aMusical pitch 606 $aCognitive psychology 608 $aElectronic books. 615 0$aMusic$xPsychological aspects. 615 0$aMusical pitch. 615 0$aCognitive psychology. 676 $a781/.11 700 $aKrumhansl$b Carol L$0973541 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910465135303321 996 $aCognitive foundations of musical pitch$92214968 997 $aUNINA