LEADER 05539nam 2200685 a 450 001 9910465094303321 005 20200520144314.0 010 $a1-299-28377-2 010 $a90-272-7219-0 035 $a(CKB)2560000000100030 035 $a(EBL)1144141 035 $a(OCoLC)830160724 035 $a(SSID)ssj0000833957 035 $a(PQKBManifestationID)12370237 035 $a(PQKBTitleCode)TC0000833957 035 $a(PQKBWorkID)10936896 035 $a(PQKB)11094496 035 $a(MiAaPQ)EBC1144141 035 $a(Au-PeEL)EBL1144141 035 $a(CaPaEBR)ebr10672551 035 $a(CaONFJC)MIL459627 035 $a(EXLCZ)992560000000100030 100 $a20130110d2013 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aProsody and iconicity$b[electronic resource] /$fedited by Sylvie Hancil, Daniel Hirst 210 $aAmsterdam ;$aPhiladelphia $cJohn Benjamins Pub. Co.$d2013 215 $a1 online resource (268 p.) 225 1 $aIconicity in language and literature,$x1873-5037 ;$vv. 13 300 $aDescription based upon print version of record. 311 $a90-272-4349-2 320 $aIncludes bibliographical references and index. 327 $aProsody and Iconicity; Editorial page; Title page; LCC data; Table of contents; Introduction; References; Prosodic Iconicity and experiential blending; 1. Introduction; 2. The semiotic scene: Overt and global communication models; 2.1 The 'hearer-only perspective'; 2.2 "Abstract information processing"; 2.3 A third model of communication?; 2.4 Prosodies and experience shaping; 2.4.1 Speech rate, rhythm and tempo; 2.4.2 Audible spectrum: Frequencies codes?; 2.4.3 Phonatory posture imitation through formats (proprioceptive formant analyzer) - speech motor imitation 327 $a3. Conceptual blending framework 3.1 Blending; 3.1.1 Perception; 3.1.2 Levels specificity; 3.1.3 Mono- and inter-modal perceptual integration: "Stroop-effect" and McGurck-MacDonald effect; 3.2 Material anchors; 3.2.1 Speaking and writing; 3.2.2 More material anchoring for speaking and writing; 4. Experiential blending; 4.1 The experiential blending; 4.2 Levels of experiential blending; 4.2.1 First level experiential blending; 4.2.2 Second level experiential blending; 4.3 Experiential blending and iconic emergence; 4.3.1 "Experiencing budget" blend; 4.3.2 "Running-talking" experiential blend 327 $a5. Conclusion 6. Annexes; References; Emotional expressions as communicative signals; 1. Introduction; 1.1 Nature of emotion and emotional expressions; 1.2 An evolutionary perspective; 1.3 A bio-informational dimensions theory; 2. Preliminary BID interpretation of existing data; 2.1 Anger/happiness; 2.1.1 Preliminary evidence; 2.2 Fear; 2.3 Sadness; 2.4 Disgust; 3. New data; 3.1 Experiment 1; 3.1.1 Stimuli; 3.1.2 Subjects and Procedure; 3.1.3 Results; Size perception; Emotion perception; 3.1.4 Findings of Experiment 1; 3.2 Experiment 2; 3.2.1 Stimuli; 3.2.2 Subjects and procedure 327 $a3.2.3 Results 3.2.4 Findings of Experiment 2 and further implications; 4. Parallel encoding of emotional and linguistic information; 5. Conclusions; References; Peak alignment and surprise reading; 1. Introduction; 2. Corpus Analysis (C-ORAL-ROM); 2.1 Material; 2.2 Results; 3. Production test; 3.1 Materials; 3.2 Speakers; 3.3 Procedures; 3.4 Analysis; 3.5 Results; 4. Perception and evaluation test; 4.1 Material; 4.2 Listeners; 4.3 Procedures; 4.4 Results; 5. Discussion; References; Emotional McGurk effect and gender difference - a Swedish study; 1. Background; 2. Research questions; 3. Method 327 $a4. Method of analysis 5. Results; 6. Summary; 7. Discussion; 8. Complicating factors in perception experiments; References; Beyond the given; 1. Introduction; 2. Theory and methodology; 2.1 Prosody defined; 2.2 The Theory of enunciative operations; 2.3 What is pertinent, what is not - or less so?; 3. Pilot corpus; 3.1 Going beyond "given" as opposed to "new" information; 3.2 The Diary corpus; 3.3 The Maps corpus; 3.4 The initial term in a series; 3.5 The presentation of an item as a continuous series; 4. The given and beyond; 4.1 Unaccented items 327 $a4.2 The personal pronoun "she" - referent external to the dialogic couple 330 $aThe benefit of prosodic and additional spectral over exclusively cepstral feature information is investigated for the recognition of phonemes in eight different speaking styles reaching from informal to formal. As prosodic information is best analyzed on a supra-segmental level, the whole temporal context of a phoneme is exploited by application of statistical functionals. 521 acoustic features are likewise obtained and evaluated per descriptor and functional by either de-correlating floating search feature evaluation or classification performance: The classifier of choice are Support Vector M 410 0$aIconicity in language and literature ;$vv. 13. 606 $aIconicity (Linguistics) 606 $aVersification 606 $aLanguage and languages 608 $aElectronic books. 615 0$aIconicity (Linguistics) 615 0$aVersification. 615 0$aLanguage and languages. 676 $a414/.6 701 $aHancil$b Sylvie$0936599 701 $aHirst$b Daniel$0223797 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910465094303321 996 $aProsody and iconicity$92109679 997 $aUNINA LEADER 01002nam a2200253 i 4500 001 991001652739707536 005 20020502203907.0 008 980720s|||| po ||| | por 035 $ab1154420x-39ule_inst 035 $aPRUMB65201$9ExL 040 $aDip. 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