LEADER 03727nam 2200625 450 001 9910465008003321 005 20200520144314.0 010 $a0-262-32094-0 035 $a(CKB)3710000000202171 035 $a(EBL)3339835 035 $a(SSID)ssj0001291526 035 $a(PQKBManifestationID)11705397 035 $a(PQKBTitleCode)TC0001291526 035 $a(PQKBWorkID)11249193 035 $a(PQKB)10605644 035 $a(MiAaPQ)EBC3339835 035 $a(OCoLC)884725749$z(OCoLC)889263887$z(OCoLC)968173659$z(OCoLC)1055400804$z(OCoLC)1066452702$z(OCoLC)1081296780 035 $a(OCoLC-P)884725749 035 $a(MaCbMITP)9886 035 $a(Au-PeEL)EBL3339835 035 $a(CaPaEBR)ebr10897569 035 $a(CaONFJC)MIL631989 035 $a(OCoLC)884725749 035 $a(EXLCZ)993710000000202171 100 $a20140730h20142014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe rhythmic event $eart, media, and the sonic /$fEleni Ikoniadou 210 1$aCambridge, Massachusetts ;$aLondon, England :$cThe MIT Press,$d2014. 210 4$dİ2014 215 $a1 online resource (130 p.) 225 1 $aTechnologies of Lived Abstraction 300 $aDescription based upon print version of record. 311 $a0-262-02764-X 320 $aIncludes bibliographical references and index. 327 $aContents; Series Foreword; Acknowledgments; Introduction: Abstract Audio; 1 Virtual Digitality; 2 Hypersonic Sensation; 3 Rhythmic Time; Conclusions: Rhythm and Event; Notes; References; Index 330 $a"The sonic has come to occupy center stage in the arts and humanities. In the age of computational media, sound and its subcultures can offer more dynamic ways of accounting for bodies, movements, and events. In 'The Rhythmic Event', Eleni Ikoniadou explores traces and potentialities prompted by the sonic but leading to contingent and unknowable forces outside the periphery of sound. She investigates the ways in which recent digital art experiments that mostly engage with the virtual dimensions of sound suggest alternate modes of perception, temporality, and experience. Ikoniadou draws on media theory, digital art, and philosophical and technoscientific ideas to work toward the articulation of a media philosophy that rethinks the media event as abstract and affective. 'The Rhythmic Event' seeks to define the digital media artwork as an assemblage of sensations that outlive the space, time, and bodies that constitute and experience it. Ikoniadou proposes that the notion of rhythm - detached, however, from the idea of counting and regularity - can unlock the imperceptible, aesthetic potential enveloping the artwork. She speculates that addressing the event on the level of rhythm affords us a glimpse into the nonhuman modalities of thought proper to the digital and hidden in the gaps between strict definitions (e.g., human/sonic/digital) and false dichotomies (e.g., virtual/real). Operating at the margins of perception, the rhythmic artwork summons an obscure zone of sonic thought, which considers the event according to its power to become."--Publisher's description. 410 0$aTechnologies of lived abstraction. 606 $aElectronic music$xHistory and criticism 606 $aAvant-garde (Music) 608 $aElectronic books. 615 0$aElectronic music$xHistory and criticism. 615 0$aAvant-garde (Music) 676 $a786.7/11 700 $aIkoniadou$b Eleni$0994193 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910465008003321 996 $aThe rhythmic event$92276920 997 $aUNINA