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035   $a(CaPaEBR)ebr11252757
035   $a(OCoLC)957700674
035   $a(EXLCZ)992560000000315160
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181   $2rdacontent
182   $2rdamedia
183   $2rdacarrier
200 14$aThe filming of modern life $eEuropean avant-garde film of the 1920s /$fMalcolm Turvey
210  1$aCambridge, Massachusetts ;$aLondon, England :$cThe MIT Press,$d2011.
210  4$dİ2011
215   $a1 online resource (226 p.)
225 0 $aOctober Books
300   $aDescription based upon print version of record.
311   $a0-262-52511-9 
320   $aIncludes bibliographical references and index.
327   $aCover; Contents; Acknowledgments; Introduction; 1 Abstraction and Rhythm 21; 2 "Cinema pur" and Ballet me?canique; 3 Dada, Entr'acte, and Paris qui dort; 4 Surrealism and Un chien Andalou; 5 City Symphony and Man with a Movie Camera; 6 Film, Distraction, and Modernity; Notes; Index
330   $aThe complex stance toward modernity taken by 1920's avant-garde cinema, as exemplified by five major films.
410  0$aOctober Books
606   $aExperimental films$zEurope$xHistory and criticism
606   $aArt and motion pictures$zEurope
606   $aArt and society$zEurope$xHistory$y20th century
606   $aModernism (Art)$zEurope
608   $aElectronic books.
615  0$aExperimental films$xHistory and criticism.
615  0$aArt and motion pictures
615  0$aArt and society$xHistory
615  0$aModernism (Art)
676   $a791.43/61109409042
700   $aTurvey$b Malcolm$f1969-$01029524
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910464961603321
996   $aThe filming of modern life$92460760
997   $aUNINA