LEADER 04550nam 2200625 450 001 9910464939603321 005 20210824111250.0 010 $a1-907471-84-7 035 $a(CKB)3710000000093325 035 $a(EBL)1648812 035 $a(MiAaPQ)EBC1648812 035 $a(MiAaPQ)EBC1511034 035 $a(Au-PeEL)EBL1648812 035 $a(CaPaEBR)ebr10848692 035 $a(CaONFJC)MIL505366 035 $a(OCoLC)873141133 035 $a(Au-PeEL)EBL1511034 035 $a(OCoLC)855899505 035 $a(EXLCZ)993710000000093325 100 $a20140324h20092009 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aBlood, sweat & theory /$fJohn Freeman ; Helen Taylor, cover design 205 $a1st ed. 210 1$a[Libri Publishing] :$c[Faringdon, England],$d2009. 210 4$dİ2009 215 $a1 online resource (337 p.) 225 1 $aMusic + Performing Arts 300 $aDescription based upon print version of record. 311 $a1-907471-04-9 320 $aIncludes bibliographical references and index. 327 $aCover; Copyright; Acknowledgements; Contents; Preface; Abstracts of Case Studies; Section 1: Ineffability; Illustration and the Intentional Action Model; Case Study: Returning to Haifa: Using Pre-text Based Drama to Understand Self and Other; Section 2: Paradigms and Trojan Horses; Case Study: Towards Collaborativity in Theatre-making: Reflections on an Artistic Research Case; Section 3: Origins of the PhD and the Current Educational Climate; Case Study: The Smell of It: Case Study of Curious's Live Art Performance On the Scent 327 $aSection 4: Certainties and Institutional Bias: Research for, into and through Practice Research Criteria and Creative Intelligence; Case Study: The Relationship between University Theatre and Professional Theatre: A Question of Method; Section 5: Basic, Applied and Experimental Research; 10 Questions; Case Study: That Spot in the 'Moving Picture' is You: Perception in Time-based Art; Section 6: Feelings and Findings; Research Design, Research Prerequisites and Creative Processes; Case Study: Bleeding Narratives; Section 7: Methodologies; Thesis Statements; Fallibilism; PhD Outcomes 327 $aPerformance StudiesCase Study: A Mono-trilogy on a Collaborative Process in the Performing Arts; Section 8: Practice as Research as the Dominant Orthodoxy; the Nature of Evidence; Case Study: Performing with Trees: Landscape and Artistic Research; Section 9: Heuristic Research; Autoethnography; Immediacy and Self-Reflexivity; Case Study: Un-telling Myself: Performance (Preparation) as Research; Section 10: Truth and Doubt; Epistemology and Ontology; Thesis Demands; Case Study: In Tra?nen unendlicher Lust: An Artistic Inquiry into an Innovating Audiovisual Lied Project 327 $aSection 11: At the Crossroads of Research Cultures Type A, B and C Research; Case Study: Partly Cloudy, Chance of Rain; Section 12: Mode 1 and Mode 2 Research; Dissemination; Professional Doctorates; Qualitative Issues; Case Study: Corpo, Carne e Espi?rito: Musical Visuality of the Body; Section 13: Theory and Theories; Thesis Proposals and Thesis Development; Explicit, Delayed Completion, Assembled and Inferred Knowledge; the Perspective from Research Students; Hockney's Secret Knowledge; 25 Questions; Bibliography; Index 330 $aAs a major contribution to the field of postgraduate activity in drama, theater, and performance, this resource identifies the essential characteristics of practice-based research across a range of countries, contexts, forms, and applications. A vital theory-based guide to such study, topics include locating practice-based research within historical, aesthetic, and educational settings; challenging received ideas of dramatic practice as thesis; distinguishing research from reflection and feelings from findings; and pushing practice-based re 410 0$aMusic + Performing Arts 606 $aPerforming arts$xResearch$vCase studies 606 $aExperimental theater$vCase studies 608 $aElectronic books. 615 0$aPerforming arts$xResearch 615 0$aExperimental theater 676 $aPN1576 700 $aFreeman$b John$f1959-$01032092 702 $aTaylor$b Helen 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910464939603321 996 $aBlood, sweat & theory$92449746 997 $aUNINA