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100   $a20130423h20142014  uy|            0
101 0 $aeng
135   $aurcnu||||||||
181   $ctxt
182   $cc
183   $acr
200 12$aA composer's guide to game music /$fWinifred Phillips
210  1$aCambridge, Massachusetts :$cThe MIT Press,$d[2014]
210  4$dİ2014
215   $a1 online resource (285 p.)
300   $aBibliographic Level Mode of Issuance: Monograph
311   $a0-262-02664-3 
320   $aIncludes bibliographical references and index.
327   $aWhy would you want to write music for games? -- A composer's creative skillset -- Immersion -- The importance of themes -- Music genres and game genres -- Roles and functions of music in games -- Preparation and workflow -- The development team -- Music needs of the game -- Linear music in games -- Interactive music in games -- Interactive music in games -- A game composer's technical skillset -- Acting like a business and finding work.
606   $aVideo game music$xInstruction and study
606   $aComputer game music$xInstruction and study
608   $aElectronic books.
615  0$aVideo game music$xInstruction and study.
615  0$aComputer game music$xInstruction and study.
676   $a781.5/4
700   $aPhillips$b Winifred$0989283
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910464934003321
996   $aA composer's guide to game music$92262423
997   $aUNINA
999   $p$47.44$u01/16/2019$5Music