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100   $a20140804d2012||||  u||            |
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 14$aThe Guest of Quesnay$b[electronic resource]
210   $aAuckland $cThe Floating Press$d2012
215   $a1 online resource (241 p.)
300   $aDescription based upon print version of record.
327   $aTitle; Contents; Chapter I; Chapter II; Chapter III; Chapter IV; Chapter V; Chapter VI; Chapter VII; Chapter VIII; Chapter IX; Chapter X; Chapter XI; Chapter XII; Chapter XIII; Chapter XIV; Chapter XV; Chapter XVI; Chapter XVII; Chapter XVIII; Chapter XIX; Chapter XX; Chapter XXI; Chapter XXII; Chapter XXIII
330   $aIn American author Booth Tarkington's best-known novels and stories, he describes the changing of the cultural guard in the United States as the moneyed aristocracy gave way to the up-and-coming robber barons and titans of industry. In The Guest of Quesnay, Tarkington casts his social scrutiny on a different continent, using the figure of an American painter in Paris as a lens through which to explore relationships between European and American attitudes and ideals.
606   $aEnglish$2HILCC
606   $aLanguages & Literatures$2HILCC
606   $aAmerican Literature$2HILCC
608   $aElectronic books.
615  7$aEnglish
615  7$aLanguages & Literatures
615  7$aAmerican Literature
700   $aTarkington$b Booth$f1869-1946.$0438344
801  0$bAU-PeEL
801  1$bAU-PeEL
801  2$bAU-PeEL
906   $aBOOK
912   $a9910464913303321
996   $aThe Guest of Quesnay$92262584
997   $aUNINA