LEADER 03462nam 2200613Ia 450 001 9910464847203321 005 20211022205701.0 010 $a3-11-092660-1 024 7 $a10.1515/9783110926606 035 $a(CKB)3400000000020905 035 $a(OCoLC)811411724 035 $a(CaPaEBR)ebrary10595977 035 $a(SSID)ssj0000714261 035 $a(PQKBManifestationID)11444902 035 $a(PQKBTitleCode)TC0000714261 035 $a(PQKBWorkID)10663974 035 $a(PQKB)10762955 035 $a(MiAaPQ)EBC3041587 035 $a(DE-B1597)56967 035 $a(OCoLC)840437945 035 $a(OCoLC)948656289 035 $a(DE-B1597)9783110926606 035 $a(PPN)202181189 035 $a(Au-PeEL)EBL3041587 035 $a(CaPaEBR)ebr10595977 035 $a(OCoLC)922944614 035 $a(EXLCZ)993400000000020905 100 $a20070618d2006 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 12$aA commentary on Euripides' Iphigenia in Tauris$b[electronic resource] /$fby Poulheria Kyriakou 210 $aBerlin ;$aNew York $cDe Gruyer$d2006 215 $a1 online resource (516 p.) 225 0 $aUntersuchungen zur antiken Literatur und Geschichte,$x1862-1112 ;$vBd. 80 300 $a"Metrical analysis of lyric parts": p. [469]-479. 311 0 $a3-11-019099-0 320 $aIncludes bibliographical references (p. [483]-489) and indexes. 327 $tFront matter --$tAcknowledgments --$tContents --$tIntroduction --$tCommentary. Part 1 --$tCommentary. Part 2 --$tCommentary. Part 3 --$tMetrical analysis of lyric parts --$tBibliography --$tIndexes 330 $aThis work is the first major commentary on Euripides' Iphigenia in Tauris to appear in English in more than 65 years. It offers detailed analysis of a fascinating play that scholars so far had considered mainly as a source of information about Athenian cult and viewed as a romantic adventure story with happy end. Apart from including sober assessments of textual, linguistic and metrical problems, the commentary sheds new light on the play's treatment of myth, its intricate structure, presentation of character, and place in Euripides' work. In particular it offers fresh insights into the play's relationship to the literary tradition, especially its treatment of the crimes of the Pelopids, and its presentation of the complex, ambiguous relationship of humans and gods as well as that of Greeks and barbarians. Unlike most other tragedies, Iphigenia in Tauris does not feature any villain and avoids concentrating on past crimes and their corrosive influence on the characters' present. The Taurians are not portrayed simply as savage and slow barbarians and Iphigenia, the most intelligent character, fails to transcend her limitations. Religion and cult in both myth and contemporary Athens are a mixture of traditional and invented elements and the play as a whole turns out to be an intriguing and unique experiment in Euripides' career. 606 $aGreek drama (Tragedy)$xHistory and criticism 608 $aElectronic books. 615 0$aGreek drama (Tragedy)$xHistory and criticism. 676 $a882.0109 700 $aKyriakou$b Poulheria$0476551 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910464847203321 996 $aCommentary on Euripides Iphigenia in Tauris$91026184 997 $aUNINA