LEADER 03874oam 22006252 450 001 9910480304003321 005 20190826145055.0 010 $a90-04-39452-4 024 7 $a10.1163/9789004394520 035 $a(CKB)4970000000170471 035 $a(MiAaPQ)EBC5842406 035 $a(nllekb)BRILL9789004394520 035 $a(EXLCZ)994970000000170471 100 $a20190118d2019 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aMeaningful absence across arts and media $ethe significance of missing signifiers /$fedited by Werner Wolf, Nassim Balestrini, Walter Bernhart 210 1$aLeiden ;$aBoston :$cBrill Rodopi,$d[2019] 215 $a1 online resource (264 pages) 225 0 $aStudies in intermediality ;$vVolume 11 311 $a90-04-39172-X 320 $aIncludes bibliographical references and index. 327 $tFront Matter -- $tCopyright Page -- $t1 Introduction: Meaningful Absence across Media. The Potential Significance of Missing Signifiers?1 /$rWerner Wolf -- $t2 Absent Signifiers in Contemporary American Fiction and Creative Non-Fiction?32 /$rNassim Winnie Balestrini -- $t3 A Sentence is a Half-Formed Thing: Observations on Iconic and Indexical (Morpho)Syntactic Blanks Inspired by Eimear McBride?s Debut Novel?59 /$rOlga Fischer -- $t4 On the Impact of Voids: Musical Silence and Visual Absence in Film?87 /$rSaskia Jaszoltowski -- $t5 Significant Absence in Narrative Fiction Film?101 /$rKlaus Rieser -- $t6 Gaps as Significant Absences: The Case of Serial Comics?126 /$rDaniel Stein -- $t7 Dramaturgy of Silence: Absence as a Means of Structural Tension in Joseph Haydn?s String Quartets?156 /$rPeter Revers -- $t8 Absence of Words and Absence of Music in Opera?173 /$rWalter Bernhart -- $t9 ?Oł est l?art? perdu, disparu!?: Meaningful Absence in 19th- to 21st-Century Painting?193 /$rHenry Keazor -- $t10 Silent Spaces: Absent Signifiers in Modernist Architecture?217 /$rAnselm Wagner -- $tList of Figures?245 -- $tNotes on Contributors?247 -- $tBack Matter -- $tIndex. 330 $aThis volume focusses on a rarely discussed method of meaning production, namely via the absence, rather than presence, of signifiers. It does so from an interdisciplinary, transmedial perspective, which covers systematic, media-comparative and historical aspects, and reveals various forms and functions of missing signifiers across arts and media. The meaningful silences, blanks, lacunae, pauses, et cetera, treated by the ten contributors are taken from language and literature, film, comics, opera and instrumental music, architecture, and the visual arts. Contributors are: Nassim Balestrini, Walter Bernhart, Olga Fischer, Saskia Jaszoltowski, Henry Keazor, Peter Revers, Klaus Rieser, Daniel Stein, Anselm Wagner, Werner Wolf 410 0$aStudies in Intermediality$v11. 606 $aSilence in literature 606 $aSilence in music 606 $aAbsence in literature 606 $aAbsence in music 606 $aQuietude 606 $aQuietude in literature 606 $aPresence (Philosophy) 606 $aNonverbal communication 608 $aElectronic books. 615 0$aSilence in literature. 615 0$aSilence in music. 615 0$aAbsence in literature. 615 0$aAbsence in music. 615 0$aQuietude. 615 0$aQuietude in literature. 615 0$aPresence (Philosophy) 615 0$aNonverbal communication. 676 $a700.108 702 $aWolf$b Werner$f1955- 702 $aBalestrini$b Nassim Winnie 702 $aBernhart$b Walter 801 0$bNL-LeKB 801 1$bNL-LeKB 906 $aBOOK 912 $a9910480304003321 996 $aMeaningful absence across arts and media$92273304 997 $aUNINA LEADER 03852nam 22008052 450 001 9910464713203321 005 20151005020623.0 010 $a1-107-22104-8 010 $a1-139-06382-0 010 $a1-283-11889-0 010 $a1-139-07622-1 010 $a9786613118899 010 $a1-139-08305-8 010 $a1-139-07050-9 010 $a1-139-07851-8 010 $a1-139-08078-4 010 $a0-511-79143-7 035 $a(CKB)3460000000002686 035 $a(EBL)691959 035 $a(OCoLC)729166645 035 $a(SSID)ssj0000525987 035 $a(PQKBManifestationID)11341483 035 $a(PQKBTitleCode)TC0000525987 035 $a(PQKBWorkID)10520092 035 $a(PQKB)11011095 035 $a(UkCbUP)CR9780511791437 035 $a(MiAaPQ)EBC691959 035 $a(Au-PeEL)EBL691959 035 $a(CaPaEBR)ebr10476547 035 $a(CaONFJC)MIL311889 035 $a(EXLCZ)993460000000002686 100 $a20100615d2011|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aSymbols and legitimacy in Soviet politics /$fGraeme Gill$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2011. 215 $a1 online resource (vi, 356 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a1-107-00454-3 320 $aIncludes bibliographical references (p. 337-351) and index. 327 $aIdeology, metanarrative, and myth -- Formation of the metanarrative, 1917-1929 -- The Stalinist culture, 1929-1953 -- An everyday vision, 1953-1985 -- The vision implodes, 1985-1991 -- Impact of the metanarrative. 330 $aSymbols and Legitimacy in Soviet Politics analyses the way in which Soviet symbolism and ritual changed from the regime's birth in 1917 to its fall in 1991. Graeme Gill focuses on the symbolism in party policy and leaders' speeches, artwork and political posters, and urban redevelopment, and on ritual in the political system. He shows how this symbolism and ritual were worked into a dominant metanarrative which underpinned Soviet political development. Gill also shows how, in each of these spheres, the images changed both over the life of the regime and during particular stages: the Leninist era metanarrative differed from that of the Stalin period, which differed from that of the Khrushchev and Brezhnev periods, which was, in turn, changed significantly under Gorbachev. In charting this development, the book lays bare the dynamics of the Soviet regime and a major reason for its fall. 517 3 $aSymbols & Legitimacy in Soviet Politics 606 $aSocial change$zSoviet Union$xHistory 606 $aSymbolism in politics$zSoviet Union$xHistory 606 $aPolitical customs and rites$zSoviet Union$xHistory 606 $aNarration (Rhetoric)$xPolitical aspects$zSoviet Union$xHistory 606 $aLegitimacy of governments$zSoviet Union$xHistory 606 $aPolitical culture$zSoviet Union$xHistory 606 $aPopular culture$zSoviet Union$xHistory 607 $aSoviet Union$xPolitics and government 607 $aSoviet Union$xCivilization 615 0$aSocial change$xHistory. 615 0$aSymbolism in politics$xHistory. 615 0$aPolitical customs and rites$xHistory. 615 0$aNarration (Rhetoric)$xPolitical aspects$xHistory. 615 0$aLegitimacy of governments$xHistory. 615 0$aPolitical culture$xHistory. 615 0$aPopular culture$xHistory. 676 $a947.084 700 $aGill$b Graeme J.$0766722 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910464713203321 996 $aSymbols and legitimacy in Soviet politics$92453544 997 $aUNINA LEADER 03201nam 22006254a 450 001 9910792255103321 005 20200520144314.0 010 $a1-280-90529-8 010 $a0-19-151463-2 024 7 $a2027/heb32315 035 $a(CKB)2560000000295029 035 $a(EBL)422734 035 $a(OCoLC)476259205 035 $a(SSID)ssj0000249753 035 $a(PQKBManifestationID)11194722 035 $a(PQKBTitleCode)TC0000249753 035 $a(PQKBWorkID)10227899 035 $a(PQKB)11588540 035 $a(StDuBDS)EDZ0000072528 035 $a(MiAaPQ)EBC422734 035 $a(Au-PeEL)EBL422734 035 $a(CaPaEBR)ebr10177977 035 $a(CaONFJC)MIL90529 035 $a(dli)HEB32315 035 $a(MiU) MIU01100000000000000000740 035 $a(EXLCZ)992560000000295029 100 $a20050720d2006 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aSpies in uniform$b[electronic resource] $eBritish military and naval intelligence on the eve of the first World War /$fMatthew S. Seligmann 210 $aOxford ;$aNew York $cOxford University Press$d2006 215 $a1 online resource (287 p.) 300 $aDescription based upon print version of record. 311 $a0-19-926150-4 311 $a0-19-171861-0 320 $aIncludes bibliographical references (p. [264]-268) and index. 327 $aContents; Abbreviations; Map; Introduction; 1. Court and Social: The Role of the Service Attache?; 2. Spies in Uniform: British Service Attache?s as Intelligence-Gatherers; 3. Men and Machines: Service Attache?s as Procurers of Information on Personnel and Materiel; 4. Harbingers of the German Menace: The Service Attache?s' Perspective on Germany; 5. Taking Centre Stage: The Influence of the Service Attache?s on the British Government; Conclusion; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; V; W; Y; Z 330 $aDid the British Government go to war in 1914 because of a well-founded fear of a German threat or did it, as some would now argue, send thousands to their deaths to fight against a danger, the existence of which was not even backed by any hard intelligence? To address this question, Spies in Uniform examines the information sent back from Germany by the Government's principal intelligence source, its 'men on the spot', the service attach--eacute--;s in Berlin. Using their reports, previously thought to have been lost, the book demonstrates that the intelligence picture of Germany available to 517 3 $aBritish military and naval intelligence on the eve of the first World War 606 $aMilitary intelligence$zGreat Britain$xHistory$y20th century 606 $aWorld War, 1914-1918$xMilitary intelligence$zGreat Britain 615 0$aMilitary intelligence$xHistory 615 0$aWorld War, 1914-1918$xMilitary intelligence 676 $a355.3/432/094109041 700 $aSeligmann$b Matthew S.$f1967-$0891428 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910792255103321 996 $aSpies in uniform$93783739 997 $aUNINA