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101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aMusicality in theatre $emusic as model, method and metaphor in theatre-making /$fDavid Roesner
210  1$aSurrey, England ;$aBurlington, Vermont :$cAshgate,$d2014.
210  4$dİ2014
215   $a1 online resource (320 p.)
225 1 $aAshgate Interdisciplinary Studies in Opera
300   $aDescription based upon print version of record.
311   $a1-4094-6101-7 
320   $aIncludes bibliographical references and index.
327   $aCover; Contents; List of Figures; Series Editor's Preface; Acknowledgements; Introduction: Premises and Promises; 1 Appia - Musicality and the 'Inner Essence'; 2 Meyerhold - Theatre 'Organized According to The Music's Laws'; 3 Artaud - The Musicality of Sound, Voice and Noise; 4 Writing with Your Ears - The Musicality of Playwriting; 5 Theatre and Jazz; 6 The Eclectic Musicality of Now; Conclusion: Paradoxes of Musicality; Bibliography; Index
330   $aMusic continues to be immensely influential in key developments of theatrical practices. In this study of musicality in the theatre, David Roesner offers a revised view of the nature of the relationship between music and theatre. The theoretical scope of the book is developed from a wide range of case studies, some of which are re-readings of the classics of theatre history (Appia, Meyerhold, Artaud, Beckett), while others introduce or rediscover less-discussed practitioners such as Joe Chaikin, Thomas Bernhard, Elfriede Jelinek, Michael Thalheimer and Karin Beier.
410  0$aAshgate interdisciplinary studies in opera.
606   $aMusic in the theater
606   $aTheater$xProduction and direction
608   $aElectronic books.
615  0$aMusic in the theater.
615  0$aTheater$xProduction and direction.
676   $a782.1
700   $aRoesner$b David$0790061
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910464708903321
996   $aMusicality in theatre$91763159
997   $aUNINA