LEADER 02628nam 2200601 450 001 9910464662003321 005 20200520144314.0 010 $a1-84822-158-4 010 $a1-84822-159-2 035 $a(CKB)3710000000128761 035 $a(EBL)1711851 035 $a(SSID)ssj0001223951 035 $a(PQKBManifestationID)12555304 035 $a(PQKBTitleCode)TC0001223951 035 $a(PQKBWorkID)11262090 035 $a(PQKB)10099445 035 $a(MiAaPQ)EBC1711851 035 $a(MiAaPQ)EBC6177714 035 $a(PPN)181263300 035 $a(Au-PeEL)EBL1711851 035 $a(CaPaEBR)ebr10882932 035 $a(CaONFJC)MIL632520 035 $a(OCoLC)881571206 035 $a(EXLCZ)993710000000128761 100 $a20140626h20142014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aBig bucks $ethe explosion of the art market in the 21st century /$fGeorgina Adam 210 1$aSurrey, England ;$aBurlington, Vermont :$cLund Humpries,$d2014. 210 4$dİ2014 215 $a1 online resource (209 p.) 300 $aDescription based upon print version of record. 311 $a1-84822-138-X 320 $aIncludes bibliographical references and index. 327 $aCover; Contents; Introduction; Prologue; Part I: The Players; 1 Auction Houses; 2 Dealers; 3 Artists; 4 The New Taste-makers; Part II: A Changing market; 5 Art Fairs; 6 Clicks v. Bricks; 7 Emerging Economies; 8 The Dark Side of the Moon; Epilogue; Notes; Bibliography; Index 330 $aThis highly readable and timely book explores the transformation of the modern and contemporary art market in the 21st century from a niche trade to a globalised operation worth an estimated 50 billion a year. Drawing on her personal experience, the author describes in fascinating detail the contributions made by a range of actors and institutions to these recent developments. The author's engaging style makes this informative text ideal for collectors, students, and anyone interested in learning more about the evolution of the unprecedented market for art which exists today. 606 $aArt$xEconomic aspects$xHistory$y21st century 606 $aArt$xMarketing$xHistory$y21st century 608 $aElectronic books. 615 0$aArt$xEconomic aspects$xHistory 615 0$aArt$xMarketing$xHistory 676 $a381.457 700 $aAdam$b Georgina$01033271 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910464662003321 996 $aBig bucks$92451710 997 $aUNINA LEADER 04208nam 22006375 450 001 9910299815003321 005 20251116134626.0 010 $a3-319-16474-0 024 7 $a10.1007/978-3-319-16474-8 035 $a(CKB)3710000000416791 035 $a(EBL)2094539 035 $a(SSID)ssj0001501221 035 $a(PQKBManifestationID)11918662 035 $a(PQKBTitleCode)TC0001501221 035 $a(PQKBWorkID)11522246 035 $a(PQKB)11235624 035 $a(DE-He213)978-3-319-16474-8 035 $a(MiAaPQ)EBC2094539 035 $a(PPN)186026226 035 $a(EXLCZ)993710000000416791 100 $a20150529d2015 u| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aInterior Design: Conceptual Basis /$fby Anthony Sully 205 $a1st ed. 2015. 210 1$aCham :$cSpringer International Publishing :$cImprint: Springer,$d2015. 215 $a1 online resource (260 p.) 300 $aIncludes index. 311 08$a3-319-16473-2 327 $aPlanning Concept -- Circulation Concept -- Three Dimensional Concept -- Construction Concept -- Material Concept -- Colour Concept -- Lighting Concept. 330 $aMaximizing reader insights into interior design as a conceptual way of thinking, which is about ideas and how they are formulated. The major themes of this book are the seven concepts of planning, circulation, 3D, construction, materials, colour and lighting, which covers the entire spectrum of a designer?s activity. Analysing design concepts from the view of the range of possibilities that the designer can examine and eventually decide by choice and conclusive belief the appropriate course of action to take in forming that particular concept, the formation and implementation of these concepts is taken in this book to aid the designer in his/her professional task of completing a design proposal to the client. The purpose of this book is to prepare designers to focus on each concept independently as much as possible, whilst acknowledging relative connections without unwarranted influences unfairly dictating a conceptual bias, and is about that part of the design process called conceptual analysis. It is assumed that the site, location, building and orientation, as well as the client?s brief of activities and needs have been digested and analysed to provide the data upon which the design process can begin. Designed as a highly visual illustrative book, as the interior design medium demands, the hands-on creative process of designing is detailed with original drawn illustrations. Concentrating on the conceptual process of designing interiors, and defining what these concepts are, this book will help the designer to organise his/her process of designing and to sharpen the links between the various skill bases necessary to do the job. This book will be stimulating for students and instructors alike and is aimed at any student who maybe majoring in interior design, interior architecture, architecture, design thinking or furniture design. It could also be a useful reference for students of design management and design leadership. 606 $aInterior architecture 606 $aInterior architecture 606 $aBuilding materials 606 $aArchitecture 606 $aInterior Architecture and Design$3https://scigraph.springernature.com/ontologies/product-market-codes/K15007 606 $aBuilding Materials$3https://scigraph.springernature.com/ontologies/product-market-codes/T23047 606 $aArchitectural History and Theory$3https://scigraph.springernature.com/ontologies/product-market-codes/K12008 615 0$aInterior architecture. 615 0$aInterior architecture. 615 0$aBuilding materials. 615 0$aArchitecture. 615 14$aInterior Architecture and Design. 615 24$aBuilding Materials. 615 24$aArchitectural History and Theory. 676 $a691 676 $a720 676 $a729 700 $aSully$b Anthony$4aut$4http://id.loc.gov/vocabulary/relators/aut$0739916 906 $aBOOK 912 $a9910299815003321 996 $aInterior Design$91466131 997 $aUNINA