LEADER 04957nam 2200637 450 001 9910464632403321 005 20210423002534.0 010 $a3-11-027601-1 010 $a3-11-038134-6 024 7 $a10.1515/9783110276015 035 $a(CKB)3360000000514911 035 $a(EBL)934837 035 $a(SSID)ssj0001401339 035 $a(PQKBManifestationID)12510364 035 $a(PQKBTitleCode)TC0001401339 035 $a(PQKBWorkID)11345437 035 $a(PQKB)10616320 035 $a(MiAaPQ)EBC934837 035 $a(DE-B1597)174930 035 $a(OCoLC)898769573 035 $a(OCoLC)979838427 035 $a(DE-B1597)9783110276015 035 $a(Au-PeEL)EBL934837 035 $a(CaPaEBR)ebr11006479 035 $a(CaONFJC)MIL807481 035 $a(EXLCZ)993360000000514911 100 $a20140902h20142014 uy| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAesthetics /$fNicolai Hartmann ; translated with an introduction by Eugene Kelly 210 1$aBoston :$cDe Gruyter,$d[2014] 210 4$dİ2014 215 $a1 online resource (558 p.) 300 $aDescription based upon print version of record. 311 $a3-11-055443-7 311 $a3-11-027571-6 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tTable of Contents --$tTranslator's Introduction: Hartmann on the Mystery and Value of Art --$tIntroduction --$tPart One: The Relationship of Appearance --$tFirst Section: The Structure of the Aesthetical Act --$tSecond Section: The Structure of the Aesthetic Object --$tThird Section: Beauty in Nature and in the Human World --$tPart Two: The Bestowal of Form and Stratification --$tFirst Section: The Series of Strata in the Arts --$tSecond Section: Aesthetic Form --$tThird Section: Unity and Truth in Beauty --$tPart Three: Values and Genera of the Beautiful --$tFirst Section: The Aesthetic Values --$tSecond Section: The Sublime and the Charming --$tThird Section: The Comical --$tAppendix --$tPostscript /$rHartmann, Frida --$tIndex of Names --$tIndex of Terms 330 $aThe book is the first English translation of Nicolai Hartmann's final book, published in 1953. It will be of value to graduate students in philosophy, scholars concerned with 20th century Continental philosophy, students of aesthetics and art history and criticism, and persons in and out of academic philosophy who wish to develop their aesthetic understanding and responsiveness to art and music. Aesthetics, Hartmann believes, centers on the phenomenon of beauty, and art "objectivates" beauty, but beauty exists only for a prepared observer. Part One explores the act of aesthetic appreciation and its relation to the aesthetic object. It discovers phenomenologically determinable levels of apprehension. Beauty appears when an observer peers through the physical foreground of the work into the strata upon which form has been bestowed by an artist in the process of expressing some theme. The theory of the stratification of aesthetic objects is perhaps Hartmann's most original and fundamental contribution to aesthetics. He makes useful and perceptive distinctions between the levels in which beauty is given to perception by nature, in the performing and the plastic arts, and in literature of all kinds. Part Two develops the phenomenology of beauty in each of the fine arts. Then Hartmann explores some traditional categories of European aesthetics, most centrally those of unity of value and of truth in art. Part Three discusses the forms of aesthetic values. Hartmann contrasts aesthetic values with moral values, and this exploration culminates in an extensive phenomenological exhibition of three specific aesthetic values, the sublime, the charming, and the comic. A brief appendix, never completed by the author, contains some reflections upon the ontological implications of aesthetics. Engaged in constant dialogue with thinkers of the past, especially with Aristotle, Kant and Hegel, Hartmann corrects and develops their insights by reference to familiar phenomena of art, especially with Shakespeare, Rembrandt and Greek sculpture and architecture. In the course of his analysis, he considers truth in art (the true-to-life and the essential truth), the value of art, and the relation of art and morality. The work stands with other great 20th century contributors to art theory and philosophical aesthetics: Heidegger, Sartre, Croce, Adorno, Ingarden, and Benjamin, among others. 606 $aAesthetics 608 $aElectronic books. 615 0$aAesthetics. 676 $a111/.85 686 $aCI 2404$2rvk 700 $aHartmann$b Nicolai$f1882-1950.$0158986 702 $aKelly$b Eugene$f1941- 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910464632403321 996 $aAesthetics$92476828 997 $aUNINA