LEADER 03463nam 2200637 450 001 9910464604103321 005 20200520144314.0 010 $a1-4438-6471-4 035 $a(CKB)3710000000205265 035 $a(EBL)1753472 035 $a(SSID)ssj0001288156 035 $a(PQKBManifestationID)12583093 035 $a(PQKBTitleCode)TC0001288156 035 $a(PQKBWorkID)11291127 035 $a(PQKB)10699794 035 $a(MiAaPQ)EBC1753472 035 $a(Au-PeEL)EBL1753472 035 $a(CaPaEBR)ebr10905928 035 $a(CaONFJC)MIL636389 035 $a(OCoLC)885123142 035 $a(EXLCZ)993710000000205265 100 $a20130321d2013 uy| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aAnalyzing the music of living composers (and others) /$fedited by Jack Boss [and three others] 210 1$aNewcastle upon Tyne, United Kingdom :$cCambridge Scholars,$d2013. 215 $a1 online resource (290 p.) 300 $aEdited by: Jack Boss, Brad Osborn, Tim S. Pack and Stephen Rodgers. 311 $a1-322-05138-0 311 $a1-4438-4227-3 320 $aIncludes bibliographical references. 327 $aTABLE OF CONTENTS; PREFACE; PART I: PROCESS IN THE MUSIC OF LIVING COMPOSERS; INTRODUCTION TO PART I; CHAPTER ONE - MAKING THE MOST OF MINIMALISM; CHAPTER TWO - COHERENCE AND COMPREHENSIBILITY IN JOAN TOWER'S PURPLE RHAPSODY; CHAPTER THREE - GAMES, SIMPLICITY, AND TREES; CHAPTER FOUR - AN INTRODUCTION TO THE MUSIC OF WILLEM CEULEERS; PART II: THE TONAL TRADITION; INTRODUCTION TO PART II; CHAPTER FIVE - HARMONY AND THE MYTH OF NARCISSUS IN SCHUBERT'S ""DU LIEBST MICH NICHT""; CHAPTER SIX - MAHLER'S MUSICAL IDEA; CHAPTER SEVEN - DEBUSSY'S UNTERBRECHUNG; PART III: POP MUSIC AND BEYOND 327 $aINTRODUCTION TO PART III CHAPTER EIGHT - WHEN POP STARS COLLIDE; CHAPTER NINE - GROOVE TOPICS IN IMPROVISED JAZZ; CHAPTER TEN - THE MUSIC OF MARIO, LINK, AND SAMUS; CHAPTER ELEVEN - HEARING HEIMA; PART IV: MUSICAL GEOMETRY AND TEMPORAL STRUCTURING; INTRODUCTION TO PART IV; CHAPTER TWELVE - SERIAL N-CUBES; CHAPTER THIRTEEN - TEMPORAL STRUCTURING IN COLIN MATTHEWS'S ELEVEN STUDIES [INVENTIONS] IN VELOCITY; CONTRIBUTORS 330 $aAnalyzing the Music of Living Composers (and Others) is a collection of essays that grew out of the 2010 annual meeting of the West Coast Conference of Music Theory and Analysis. The stated purpose was to apply traditional music-analytic techniques, as well as new, innovative techniques, to describing the music of composers of the late 20th and early 21st centuries. The goal was to take steps toward making the music of our time a bit less impenetrable for our colleagues, students and other li... 606 $aMusical analysis$xHistory$y20th century 606 $aMusical analysis$xHistory$y21st century 606 $aMusic$xHistory and criticism 608 $aElectronic books. 615 0$aMusical analysis$xHistory 615 0$aMusical analysis$xHistory 615 0$aMusic$xHistory and criticism. 676 $a780.9 702 $aBoss$b Jack Forrest 702 $aOsborn$b Brad 702 $aPack$b Timothy Shane$f1969- 702 $aRodgers$b Stephen$f1974- 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910464604103321 996 $aAnalyzing the music of living composers (and others)$92210719 997 $aUNINA