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010   $a1-282-41490-9
010   $a9786612414909
010   $a1-4438-1614-0
035   $a(CKB)3390000000009043
035   $a(EBL)1114401
035   $a(OCoLC)827209256
035   $a(SSID)ssj0000441816
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035   $a(PQKBTitleCode)TC0000441816
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100   $a20100311d2009      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 00$aRewriting/reprising$b[electronic resource] $eplural intertextualities /$fedited by Georges Letissier
210   $aNewcastle $cCambridge Scholars$d2009
215   $a1 online resource (264 p.)
300   $aDescription based upon print version of record.
311   $a1-4438-1388-5 
320   $aIncludes bibliographical references.
327   $apt. 1. Pastiche, parody, genre and gender -- pt. 2. Rewritings in the Victorian age, rewriting the Victorians -- pt. 3. Writing back and claims for self-authorization -- pt. 4. Artistic dialogism.
330   $aThis volume comprises sixteen essays, preceded by an introductory chapter focusing on the diverse modalities of textual, and more widely, artistic transfer. Whereas the first Rewriting-Reprising volume (coord. by C. Maisonnat, J. Paccaud-Huguet & A. Ramel) underscored the crucial issue of origins, the second purports to address the specificities of hypertextual, and hyperartistic (Genette, 1982) practices. Its common denominator is therefore second degree literature and art. A first section, ...
606   $aLiterature$xAdaptations
606   $aLiterature$xHistory and criticism$xTheory, etc
608   $aElectronic books.
615  0$aLiterature$xAdaptations.
615  0$aLiterature$xHistory and criticism$xTheory, etc.
676   $a809
701   $aLetissier$b Georges$0936638
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910464597203321
996   $aRewriting$92109731
997   $aUNINA