LEADER 01340nam--2200409---450 001 990000482200203316 005 20200908094748.0 010 $a88-16-40385-3 035 $a0048220 035 $aUSA010048220 035 $a(ALEPH)000048220USA01 035 $a0048220 100 $a20010530d1995----km-y0itay0103----ba 101 $aita 102 $aIT 105 $a||||||||001yy 200 1 $a<> abate Sugero$estatista e architetto della luce$fMichel Bur$gprefazione di Inos Biffi$gtraduzione di Elisa Fabbrichesi 210 $aMilano$cJaca book$dc1995 215 $aXXIV, 300 p.$cill.$d23 cm 225 2 $aDi fronte e attraverso$iBiblioteca di cultura medievale$v385 312 $aSuger 410 $12001$aDi fronte e attraverso$iBiblioteca di cultura medievale$v385 454 $12001$aSuger$930775 606 0 $aSugero 676 $a270.4092 700 1$aBUR,$bMichel$0155681 702 1$aBIFFI,$bInos 702 1$aFABBRICHESI,$bElisa 801 0$aIT$bsalbc$gISBD 912 $a990000482200203316 951 $aX.1.A. 133(XV B COLL. 15/385)$b123843 L.M.$cXV B COLL. 951 $aX.1.A. 133a(XV B COLL. 15/385 BIS)$b123924 L.M.$cXV B COLL. 951 $aX.1.A. 133b(XV B COLL. 15/385 A)$b127324$cXV B COLL. 959 $aBK 969 $aUMA 996 $aSuger$930775 997 $aUNISA LEADER 02283nam 2200577Ia 450 001 9910464563403321 005 20200520144314.0 010 $a1-282-77640-1 010 $a9786612776403 010 $a1-4438-2168-3 035 $a(CKB)3390000000009215 035 $a(EBL)1114386 035 $a(OCoLC)827209278 035 $a(SSID)ssj0000475410 035 $a(PQKBManifestationID)12131019 035 $a(PQKBTitleCode)TC0000475410 035 $a(PQKBWorkID)10463693 035 $a(PQKB)11754524 035 $a(MiAaPQ)EBC1114386 035 $a(Au-PeEL)EBL1114386 035 $a(CaPaEBR)ebr10652815 035 $a(CaONFJC)MIL277640 035 $a(EXLCZ)993390000000009215 100 $a20100927d2010 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aOpera-comique$b[electronic resource] $ea sourcebook /$fRobert Ignatius Letellier 210 $aNewcastle-upon-Tyne $cCambridge Scholars$d2010 215 $a1 online resource (881 p.) 300 $aDescription based upon print version of record. 311 $a1-4438-2140-3 320 $aIncludes bibliographical references (p. xxii-xxiii) and indexes. 327 $aTABLE OF CONTENTS; ACKNOWLEDGEMENTS; INTRODUCTION; A CHRONOLOGY OF THE OPE?RA-COMIQUE; COMPOSERS AND THEIR WORKS AT THE OPE?RA-COMIQUE; INDEX 330 $aOpe?ra-comique, like grand ope?ra, a specifically French genre of opera, emerged from the political changes and intellectual discussion that played a recurrent role in determining the nature of artistic expression and production in Paris from the late 17th until the mid-18th centuries. Ope?ra-comique is distinguished by its use of spoken dialogue to link the arias and sung parts, and its more restrained use of recitatives. It emerged out of the popular entertainments, called ope?ras-comiques en... 606 $aOpe?ra comique 606 $aOpera$zFrance 608 $aElectronic books. 615 0$aOpe?ra comique. 615 0$aOpera 676 $a782.1 700 $aLetellier$b Robert Ignatius$0679460 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910464563403321 996 $aOpera-comique$91922619 997 $aUNINA