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181   $ctxt
182   $cc
183   $acr
200 10$aHuman Security For All$b[electronic resource] $eA Tribute to Sergio Vieira de Mello
210   $aNew York $cFordham University Press$d2007
215   $a1 online resource (292 p.)
300   $aDescription based upon print version of record.
311   $a0-8232-2556-9 
320   $aIncludes bibliographical references and index.
327   $a""Title Page ""; ""Table of Contents ""; ""Preface ""; ""Introduction: A Shot in the Dark ""; ""Part 1: Group Portraits and the Fictions of the Pose ""; ""Chapter 1: Toward the Interpretation of Performance Anxiety ""; ""Chapter 2: Portraiture and the Fictions of the Pose ""; ""Chapter 3: The Posographical Imperative: A Comparison of Genres ""; ""Chapter 4: Group Portraiture: Coming Together and Coming Apart ""; ""Chapter 5: Alois Riegl and the Posographical Imperative ""; ""Chapter 6: Performance Anxiety and the Belated Viewer ""; ""Part 2: Militias and Marriage ""
327   $a""Chapter 7: Male Bondage and the Military Imperative """"Chapter 8: Social Sources of Performance Anxiety ""; ""Part 3: Picturing Family Values ""; ""Chapter 9: The Preacher's Wife ""; ""Chapter 10: Women with Elbows ""; ""Chapter 11: Families Making Music ""; ""Part 4: 'The Night Watch' as Homosocial  Pastoral ""; ""Chapter 12: The Night Watch: How the Sandbank Crumbles ""; ""Chapter 13: Evasive Action: Three Ways to Shore Up the Sandbank ""; ""Chapter 14: Captain Cocq and the Unruly Mustketeer ""; ""Chapter 15: Disaggregation as Class Conflict ""
327   $a""Chapter 16: Manual Mischief: The Loneliness of the Red Musketeer """"Chapter 17: Between Stad and Stadholder: Captain Cocq's Dilemma ""; ""Chapter 18: Posographical Misfires ""; ""Chapter 19: An Odd Couple: The Ghost of Anslo's Wife ""; ""Coda: Playing Soldier ""; ""Notes ""; ""Index ""
330 8 $aA study of the theory and practice of seventeenth-century Dutch group portraits, 'Manhood, Marriage, & Mischief' offers an account of the genre's comic and ironic features, which it treats as comments on the social context of portrait sitters who are husbands and householders as well as members of civic and proto-military organizations.
606   $aPortrait painting, Dutch -- 17th century
606   $aPortraits, Group -- Netherlands
606   $aRembrandt Harmenszoon van Rijn, -- 1606-1669 -- Criticism and interpretation
606   $aRembrandt Harmenszoon van Rijn, -- 1606-1669. -- Night watch
606   $aPortraits, Group$y17th century$zNetherlands
606   $aPortrait painting, Dutch
606   $aVisual Arts$2HILCC
606   $aArt, Architecture & Applied Arts$2HILCC
606   $aPainting$2HILCC
608   $aElectronic books.
615  4$aPortrait painting, Dutch -- 17th century.
615  4$aPortraits, Group -- Netherlands.
615  4$aRembrandt Harmenszoon van Rijn, -- 1606-1669 -- Criticism and interpretation.
615  4$aRembrandt Harmenszoon van Rijn, -- 1606-1669. -- Night watch.
615  0$aPortraits, Group
615  0$aPortrait painting, Dutch
615  7$aVisual Arts
615  7$aArt, Architecture & Applied Arts
615  7$aPainting
676   $a757.09492/09032
700   $aBerger$b Harry$0185160
801  0$bAU-PeEL
801  1$bAU-PeEL
801  2$bAU-PeEL
906   $aBOOK
912   $a9910464553303321
996   $aHuman Security For All$92446538
997   $aUNINA