LEADER 03475nam 2200625Ia 450 001 9910464535103321 005 20211105193123.0 010 $a1-283-14242-2 010 $a1-4438-2793-2 010 $a9786613142429 035 $a(CKB)3360000000436264 035 $a(EBL)1133185 035 $a(OCoLC)830167574 035 $a(SSID)ssj0000942044 035 $a(PQKBManifestationID)11967105 035 $a(PQKBTitleCode)TC0000942044 035 $a(PQKBWorkID)10964506 035 $a(PQKB)10722067 035 $a(MiAaPQ)EBC1133185 035 $a(Au-PeEL)EBL1133185 035 $a(CaPaEBR)ebr10677142 035 $a(CaONFJC)MIL314242 035 $a(EXLCZ)993360000000436264 100 $a20110120d2011 uy 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe overtures of Daniel-Francois-Esprit Auber$b[electronic resource] /$fedited and introduced by Robert Ignatius Letellier 210 $aNewcastle upon Tyne, U.K. $cCambridge Scholars$dc2011 215 $a1 online resource (467 p.) 300 $aOriginally for orchestra; arr. for piano, except Le Timide. 300 $aReprinted from editions originally published in the 19th cent. 300 $aIntroduction in English. 311 $a1-4438-2702-9 327 $aTABLE OF CONTENTS; INTRODUCTION; THE OVERTURES; LA BERGERE CHATELAINE; EMMA; LEICESTER, OU LE CHATEAU DE KENILWORTH; LE NEIGE, OU LE NOUVEAU EGINARD; LE CONCERT A LA COUR, OU LA DEBUTANTE; LEOCADIA; LE MACON; LE TIMIDE; FIORELLA; LA MUETTE DE PORTICI; LA FIANCEE; FRA DIAVOLO, OU L'HOTELLERIE DE TERRACINA; LE DIEU ET LA BAYADERE; LE PHILTRE; LE SERMENT, OU LES FAUX MONNAYEURS; GUSTAVE III, OU LE BAL MASQUE; LESTOCQ, OU L'INTRIGUE ET L'AMOUR; LE CHEVAL DE BRONZE; ACTEON; LES CHAPERONS BLANCS; L'AMBASSADRICE; LE DOMINO NOIR; LE LAC DES FEES; ZANETTA, OU IL NE FAUT PAS JOUER AVEC LE FEU 327 $aLES DIAMANTS DE LA COURONNELE DUC D'OLONNE; LA PART DU DIABLE, OU CARLO BROSCHI; LA SIRENE; LA BARCAROLE, OU L'AMOUR ET LA MUSIQUE; HAYDEE, OU LE SECRET; L'ENFANT PRODIGUE; ZERLINE, OU LA CORBEILLE D'ORANGES; MARCO SPADA; JENNY BELL; MANON LESCAUT; LA CIRCASSIENNE; LA FIANCEE DU ROI DE GARBE; LE PREMIER JOUR DE BONHEUR; REVE D'AMOUR; GRANDE OUVERTURE COMPOSEE POUR L'AUGURATION DE L'EXPOSITION DE LONDRES 330 $aThe overtures of Daniel-Franc?ois-Esprit Auber (1782-1871), once as popular as those of Gioacchino Rossini and Franz von Suppe?, were formerly known everywhere, a staple of the light Classical repertoire. The influence of Auber's melodies and dance rhythms on piano and instrumental music, and on the genre of Romantic comic opera, especially in Germany, was overwhelming. The operas themselves, apart from Fra Diavolo (1830), have virtually passed out of the repertoire, but some of their overtures... 606 $aOvertures (Piano), Arranged 606 $aOvertures$vScores 608 $aElectronic books. 615 0$aOvertures (Piano), Arranged. 615 0$aOvertures 676 $a782.1092 700 $aAuber$b D. F. E$g(Daniel Francois Esprit),$f1782-1871.$0848445 701 $aLetellier$b Robert Ignatius$0679460 701 2$aAuber$b D. F. E$g(Daniel Francois Esprit),$f1782-1871.$0848445 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910464535103321 996 $aThe overtures of Daniel-Francois-Esprit Auber$91898592 997 $aUNINA