LEADER 00980nam0 2200277 450 001 000005792 005 20050713162822.0 010 $a88-238-0572-4 100 $a20050713d2000----km-y0itay50------ba 101 0 $aita 102 $aIT 200 1 $aValore per il cliente e controllo dei costi: una sfida possibile$eapproccio integrato per le imprese di servizi$fAntonella Carù, Antonella Cugini 210 $aMilano$cEgea$d2000 215 $a317 p.$d24 cm 225 2 $aBiblioteca dell'economia d'azienda$v62 410 0$12001$aBiblioteca dell'economia d'azienda$v62 610 1 $aPrezzi$adeterminazione 610 1 $aCosti aziendali$agestione 676 $a658.816 700 1$aCarù,$bAntonella$0374014 701 1$aCugini,$bAntonella$0117108 801 0$aIT$bUNIPARTHENOPE$c20050713$gRICA$2UNIMARC 912 $a000005792 951 $a658-V/9$b37531$cNAVA1$d2005 996 $aValore per il cliente e controllo dei costi: una sfida possibile$91206213 997 $aUNIPARTHENOPE LEADER 07280nam 2200769 450 001 9910464480903321 005 20211012001537.0 010 $a1-61811-376-3 024 7 $a10.1515/9781618113764 035 $a(CKB)3710000000082273 035 $a(EBL)3110539 035 $a(SSID)ssj0001127776 035 $a(PQKBManifestationID)11642447 035 $a(PQKBTitleCode)TC0001127776 035 $a(PQKBWorkID)11152861 035 $a(PQKB)11718274 035 $a(MiAaPQ)EBC3110539 035 $a(DE-B1597)540881 035 $a(OCoLC)1135568007 035 $a(DE-B1597)9781618113764 035 $a(Au-PeEL)EBL3110539 035 $a(CaPaEBR)ebr10822260 035 $a(CaONFJC)MIL580347 035 $a(OCoLC)922977841 035 $a(EXLCZ)993710000000082273 100 $a20140107h20132013 uy| 0 101 0 $aeng 135 $aurnn#---|u||| 181 $ctxt 182 $cc 183 $acr 200 04$aThe Russian cinema reader$hVolume two$iThe thaw to the present /$fedited by Rimgaila Salys 210 1$aBoston :$cAcademic Studies Press,$d2013. 210 4$d©2013 215 $a1 online resource (310 p.) 225 0 $aCultural Syllabus 225 0$aCultural syllabus 300 $aDescription based upon print version of record. 311 0 $a1-61811-321-6 320 $aIncludes bibliographical references. 327 $tFront matter --$tContents --$tList of Illustrations --$tPreface /$rSalys, Rimgaila --$tAcknowledgments --$tImage Credits --$tPart Four --$tCinema of the Thaw 1953-1967 /$rProkhorov, Alexander --$tThe Cranes are Flying/Letiat zhuravli --$tIntroduction --$tReconfiguring the War and Family Tropes in Thaw-Era Homefront Melodrama /$rProkhorov, Alexander --$tBallad of a Soldier/Ballada o soldate /$rJohnson, Vida --$tLenin's Guard/Zastava Il'icha /$rProkhorov, Alexander --$tWings/Kryl'ia --$tIntroduction --$tFlight Without Wings: The Subjectivity of a Female War Veteran in Larisa Shepit'ko's Wings /$rMikhailova, Tatiana / Lipovetsky, Mark --$tCommissar/Komissar --$tIntroduction --$tSoviet Structuring Myths in The Commissar /$rMonastireva-Ansdell, Elena --$tPart Five --$tCinema of Stagnation Late 1960s-1985 /$rProkhorova, Elena --$tThe Diamond Arm/Brilliantovaia ruka /$rProkhorov, Alexander --$tWhite Sun of the Desert/Beloe solntse pustyni --$tIntroduction /$rProkhorova, Elena --$tWe Have Been Sitting Here for a Long Time /$rSalys, Rimgaila --$tSolaris/Soliaris /$rBird, Robert --$tStalker --$tIntroduction --$tStalker /$rJohnson, Vida T. / Petrie, Graham --$tAndrei Tarkovsky: The Elements of Cinema /$rBird, Robert --$tMoscow Does Not Believe in Tears/Moskva slezam ne verit --$tIntroduction --$tThe Cultural Logic of Late Socialism /$rKaganovsky, Lilya --$tPart Six --$tPerestroika and Post-Soviet Cinema 1985-2000s /$rJohnson, Vida / Stishova, Elena --$tRepentance/Monanieba (georgian); Pokaianie (russian) --$tIntroduction --$tSigns and Symbols: Repentance's Stylistic Devices /$rWoll, Josephine / Youngblood, Denise J. --$tLittle Vera/Malen'kaia Vera --$tIntroduction --$tBetween Joy and Suicide: Fathers, Daughters, and Little Vera /$rHorton, Andrew / Brashinsky, Mikhail --$tBurnt by the Sun/Utomlennye solntsem --$tIntroduction --$tBurnt by the Sun /$rBeumers, Birgit --$tBurnt by the Sun /$rLarsen, Susan --$tBrother/Brat --$tIntroduction --$tBrother /$rBeumers, Birgit --$tRussian Ark/Russkii kovcheg /$rBird, Robert --$tThe Return/Vozvrashchenie --$tIntroduction --$tTarkovsky's Return, or Zviagintsev's Vozvrashchenie /$rBeumers, Birgit --$tArrested Returns /$rVicks, Meghan --$tNight Watch/Nochnoi dozor /$rStrukov, Vlad --$tThe Tuner/Nastroishchik /$rCondee, Nancy --$tNinth Company/Deviataia rota /$rCarleton, Gregory --$tHow I Ended This Summer/Kak ia provel etim letom /$rStrukov, Vlad 330 $aThis two-volume reader is intended to accompany undergraduate courses in the history of Russian cinema and Russian culture through film. Each volume consists of newly commissioned essays, excerpts from English language criticism and translations of Russian language essays on subtitled films which are widely taught in American and British courses on Russian film and culture. The arrangement is chronological: Volume one covers twelve films from the beginning of Russian film through the Stalin era; volume two covers twenty films from the Thaw era to the present. General introductions to each period of film history (Early Russian Cinema, Soviet Silent Cinema, Stalinist Cinema, Cinema of the Thaw, Cinema of Stagnation, Perestroika and Post-Soviet Cinema) outline its cinematic significance and provide historical context for the non-specialist reader. Essays are accompanied by suggestions for further reading. The reader will be useful both for film studies specialists and for Slavists who wish to broaden their Russian Studies curriculum by incorporating film courses or culture courses with cinematic material. Volumes one and two may be ordered separately to accommodate the timeframe and contents of courses. Volume one films: Sten'ka Razin, The Cameraman's Revenge, The Merchant Bashkirov's Daughter, Child of the Big City, The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks, Battleship Potemkin, Bed and Sofa, Man with a Movie Camera, Earth, Chapaev, Circus, Ivan the Terrible, Parts I and II. Volume two films: The Cranes are Flying, Ballad of a Soldier, Lenin's Guard, Wings, Commissar, The Diamond Arm, White Sun of the Desert, Solaris, Stalker, Moscow Does Not Believe in Tears, Repentance, Little Vera, Burnt by the Sun, Brother, Russian Ark, The Return, Night Watch, The Tuner, Ninth Company, How I Ended This Summer. Contributors: Birgit Beumers, Robert Bird, David Bordwell, Mikhail Brashinsky, Oksana Bulgakova, Gregory Carlson, Nancy Condee, Julian Graffy, Jeremy Hicks, Andrew Horton, Steven Hutchings, Vida Johnson, Lilya Kaganovsky, Vance Kepley, Jr., Susan Larsen, Mark Lipovetsky, Tatiana Mikhailova, Elena Monastireva-Ansdell, Joan Neuberger, Vlada Petri?, Graham Petrie, Alexander Prokhorov, Elena Prokhorova, Rimgaila Salys, Elena Stishova, Vlad Strukov, Yuri Tsivian, Meghan Vicks, Josephine Woll, Denise J. Youngblood 410 0$aCultural Syllabus 517 3 $aThaw to the present 606 $aMotion pictures$zRussia (Federation)$xHistory and criticism 606 $aMotion pictures$zRussia (Federation)$xHistory$y20th century 606 $aMotion pictures$zRussia (Federation)$xHistory$y21st century 606 $aMotion pictures$zRussia$xHistory$y20th century 606 $aMotion pictures$zSoviet Union$xHistory and criticism 606 $aMotion pictures$zSoviet Union$xHistory$y20th century 607 $aSoviet Union$xHistory$y1953-1985 608 $aElectronic books. 615 0$aMotion pictures$xHistory and criticism. 615 0$aMotion pictures$xHistory 615 0$aMotion pictures$xHistory 615 0$aMotion pictures$xHistory 615 0$aMotion pictures$xHistory and criticism. 615 0$aMotion pictures$xHistory 676 $a791.4309 701 $aSalys$b Rimgaila$01041580 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910464480903321 996 $aThe Russian cinema reader$92465219 997 $aUNINA LEADER 03158oam 2200721I 450 001 9910784428903321 005 20230829001825.0 010 $a1-135-51119-5 010 $a1-135-51112-8 010 $a1-281-09458-7 010 $a9786611094584 010 $a0-203-96002-5 024 7 $a10.4324/9780203960028 035 $a(CKB)1000000000358481 035 $a(EBL)293600 035 $a(OCoLC)476055101 035 $a(SSID)ssj0000192456 035 $a(PQKBManifestationID)11166406 035 $a(PQKBTitleCode)TC0000192456 035 $a(PQKBWorkID)10196446 035 $a(PQKB)10225293 035 $a(MiAaPQ)EBC293600 035 $a(Au-PeEL)EBL293600 035 $a(CaPaEBR)ebr11164591 035 $a(CaONFJC)MIL109458 035 $a(OCoLC)667101452 035 $a(EXLCZ)991000000000358481 100 $a20180706d2006 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$a"Like parchment in the fire" $eliterature and radicalism in the English civil war /$fPrasanta Chakravarty 210 1$aNew York :$cRoutledge,$d2006. 215 $a1 online resource (224 p.) 225 1 $aLiterary Criticism and Cultural Theory 300 $aDescription based upon print version of record. 311 $a1-138-86869-8 311 $a0-415-97718-5 320 $aIncludes bibliographical references and index. 327 $aFront cover; Table of Contents; Acknowledgments; Introduction; Chapter One. Radicalism from the Center: The Republican Moments of John Milton; Chapter Two. Natural Law as a Radical Weapon: John Warr, the Levellers and John Locke; Chapter Three. The Universal in the Local: Digger Radicalism Revisited; Chapter Four.Turning the World Upside Down and the Limits of Liberalism: The Delayed Radicalism of the Ranters; Notes; Bibliography; Index; Back cover 330 $aExamines the literary, religious and political aspects of the radical movements and various sects. 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