LEADER 03265nam 2200601 450 001 9910464439203321 005 20200520144314.0 010 $a0-8214-4483-2 035 $a(CKB)3710000000088628 035 $a(SSID)ssj0001134340 035 $a(PQKBManifestationID)11604156 035 $a(PQKBTitleCode)TC0001134340 035 $a(PQKBWorkID)11161651 035 $a(PQKB)11386913 035 $a(MiAaPQ)EBC1743580 035 $a(OCoLC)870646808 035 $a(MdBmJHUP)muse34909 035 $a(Au-PeEL)EBL1743580 035 $a(CaPaEBR)ebr10837922 035 $a(EXLCZ)993710000000088628 100 $a20140302h20142014 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMelodramatic imperial writing $efrom the Sepoy Rebellion to Cecil Rhodes /$fNeil Hultgren 210 1$aAthens, Ohio :$cOhio University Press,$d2014. 210 4$d©2014 215 $a1 online resource (272 pages) 225 0 $aSeries in Victorian studies Melodramatic imperial writing 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-8214-2085-2 320 $aIncludes bibliographical references and index. 330 $a"Melodrama, as an aesthetic, has long been criticized for its reliance on improbable situations and overwhelming emotion. These very aspects, however, made it a useful and appealing literary mode for British imperial propagandists in the late nineteenth century. Though stage melodrama may have been declining in prominence, the melodramatic style influenced many late-Victorian genres outside of the theater-for example, imperialist ballads, detective novels, travel narratives, and romances-and developed a complicated relationship with British imperial discourse. Melodramatic Imperial Writing: From the Sepoy Rebellion to Cecil Rhodes locates melodrama within a new and considerably more complicated history of British imperialism: beyond its use in constructing imperialist fantasies or supporting unjust policies, the melodramatic style also enabled writers to upset narratives of British imperial destiny or racial superiority. This book examines works by both canonical and lesser-known authors writing after the Sepoy Rebellion, including Wilkie Collins, Marie Corelli, Charles Dickens, H. Rider Haggard, W. E. Henley, Rudyard Kipling, Olive Schreiner, and Robert Louis Stevenson, and encompasses representations of British imperialism from India, to South Africa and the South Seas"--$cProvided by publisher. 606 $aEnglish prose literature$xHistory and criticism 606 $aMelodrama, English$xHistory and criticism 606 $aLiterature and society$zEngland$xHistory 606 $aImperialism in literature 608 $aElectronic books. 615 0$aEnglish prose literature$xHistory and criticism. 615 0$aMelodrama, English$xHistory and criticism. 615 0$aLiterature and society$xHistory. 615 0$aImperialism in literature. 676 $a828/.08 700 $aHultgren$b Neil$0990835 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910464439203321 996 $aMelodramatic imperial writing$92267168 997 $aUNINA LEADER 01111nam a22002531i 4500 001 991000949919707536 005 20030218164907.0 008 021107s1977 uik|||||||||||||||||eng 035 $ab1207844x-39ule_inst 035 $aARCHE-016824$9ExL 040 $aDip.to Filologia Ling. e Lett.$bita$cA.t.i. Arché s.c.r.l. Pandora Sicilia s.r.l. 082 04$a333.7609 100 1 $aWestmacott, Richard$0450066 245 10$aNew agricultural landscapes :$breport of a study undertaken on behalf of the Countryside commission /$cRichard Westmacott and Tom Worthington 260 $aCheltenham :$bCountryside commission,$c1977 300 $a98 p. ;$c30 cm 650 4$aPaesaggio agrario$xInghilterra 700 1 $aWorthington, Tom$eauthor$4http://id.loc.gov/vocabulary/relators/aut$0736874 907 $a.b1207844x$b02-04-14$c01-04-03 912 $a991000949919707536 945 $aLE008 FL.M. (IN) H 70$g1$iLE008A-03879/bis$lle008$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i12376942$z01-04-03 996 $aNew agricultural landscapes$91457746 997 $aUNISALENTO 998 $ale008$b01-04-03$cm$da $e-$feng$guik$h0$i1