LEADER 03421nam 2200601 450 001 9910464391603321 005 20200520144314.0 010 $a1-78238-279-8 035 $a(CKB)3710000000088870 035 $a(EBL)1375274 035 $a(SSID)ssj0001108833 035 $a(PQKBManifestationID)11700777 035 $a(PQKBTitleCode)TC0001108833 035 $a(PQKBWorkID)11104270 035 $a(PQKB)10308104 035 $a(MiAaPQ)EBC1375274 035 $a(Au-PeEL)EBL1375274 035 $a(CaPaEBR)ebr10838899 035 $a(CaONFJC)MIL600295 035 $a(OCoLC)870946159 035 $a(EXLCZ)993710000000088870 100 $a20140303h20142014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aSubjective realist cinema $efrom expressionism to Inception /$fMatthew Campora 210 1$aNew York, [New York] ;$aOxford, [England] :$cBerghahn Books,$d2014. 210 4$dİ2014 215 $a1 online resource (160 p.) 300 $aDescription based upon print version of record. 311 $a1-78238-278-X 320 $aIncludes filmography, bibliographical references and index. 327 $aContents; Acknowledgments; Introduction; Three Periods of Narrative Experimentation; Multiform Narratives; Subjective Realism; 1. Complex Narratives; The New Hollywood and the Smart Film; New Hollywood Narration; Fragmented Narratives; Multi-strand Narratives; Multiform Narratives; Brazil; Puzzle Films; 2. Two Trajectories of the Cinema of Attractions; The Narrative Trajectory: Realism and Spectacle; The Avant-Garde Trajectory: Realism and Defamiliarization; 3. Subjective Realism and Multiform Narratives; Subjective Realism; Vertigo; The Fantastic; Wild Strawberries; 4. Mulholland Drive 327 $aExpressionism and the Uncanny in Mulholland DriveThree Views; As Surrealist or Trance Film; As Fragmented, Subjective Realist Film; As Supernatural Film; It Is All an Illusion; 5. Memento; The Four Strands; Unreliable Narration; Disrupted Expectations; Subjective Realism; 6. Eternal Sunshine of the Spotless Mind; The Philosophy of Eternal Sunshine; Temporal Inversions; Subjective Realism; Sonic Metalepsis; The Marvelous Real; Conclusion; Filmography; Bibliography; Index 330 $a Subjective Realist Cinema looks at the fragmented narratives and multiple realities of a wide range of films that depict subjective experience and employ "subjective realist" narration, including recent examples such as Mulholland Drive, Memento, and Eternal Sunshine of the Spotless Mind. The author proposes that an understanding of the narrative structures of these films, particularly their use of mixed and multiple realities, enhances viewers' enjoyment and comprehension of such films, and that such comprehension offers a key to understanding contempora 606 $aMotion pictures$xPhilosophy 606 $aSubjectivity in motion pictures 606 $aRealism in motion pictures 608 $aElectronic books. 615 0$aMotion pictures$xPhilosophy. 615 0$aSubjectivity in motion pictures. 615 0$aRealism in motion pictures. 676 $a791.43/612 700 $aCampora$b Matthew$01032411 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910464391603321 996 $aSubjective realist cinema$92450258 997 $aUNINA