LEADER 04285nam 2200733 450 001 9910464371103321 005 20200903223051.0 010 $a90-04-26786-7 024 7 $a10.1163/9789004267862 035 $a(CKB)3710000000094133 035 $a(EBL)1655257 035 $a(SSID)ssj0001133097 035 $a(PQKBManifestationID)11702133 035 $a(PQKBTitleCode)TC0001133097 035 $a(PQKBWorkID)11155523 035 $a(PQKB)10444302 035 $a(MiAaPQ)EBC1655257 035 $a(nllekb)BRILL9789004267862 035 $a(PPN)178907685 035 $a(Au-PeEL)EBL1655257 035 $a(CaPaEBR)ebr10849374 035 $a(CaONFJC)MIL587784 035 $a(OCoLC)874322946 035 $a(EXLCZ)993710000000094133 100 $a20140326h20142014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aTransformations of time and temporality in Medieval and Renaissance art /$fby Simona Cohen ; Giulio Romano, cover illustration 210 1$aLeiden, Netherlands :$cBrill,$d2014. 210 4$dİ2014 215 $a1 online resource (392 p.) 225 1 $aBrill's Studies on Art, Art History, and Intellectual History ;$vVolume 6 225 1 $aBrill's Studies in Intellectual History,$x0920-8607 ;$vVolume 228 300 $aDescription based upon print version of record. 311 $a90-04-26785-9 320 $aIncludes bibliographical references and index. 327 $aPreliminary Material -- Color Plates -- Introduction -- 1. Concepts of Time in Classical Philosophy -- 2. Classical Personifications of Time -- 3. Early Christian and Medieval Concepts of Time -- 4. Time and Temporality in Medieval Art -- 5. The Romanesque Zodiac: Its Symbolic Function on the Church Facade -- 6. The Renaissance Personification of Time in Illustrations to Petrarch?s Trionfo del Tempo -- 7. Time, Virtuousness and Wisdom in Giorgione?s Castelfranco Fresco -- 8. Kairos/Occasio?Vicissitudes of Propitious Time from Antiquity to the Renaissance -- 9. Veritas filia temporis: Time in Cinquecento Propaganda -- Epilogue -- Appendix I: Catalogue of Illuminated Manuscripts of Petrarch?s Trionfi Located in European and American Collections -- Select Bibliography -- Index. 330 $aAlthough studies of specific time concepts, expressed in Renaissance philosophy and literature, have not been lacking, few art-historians have endeavored to meet the challenge in the visual arts. This book presents a multifaceted picture of the dynamic concepts of time and temporality in medieval and Renaissance art, adopted in speculative, ecclesiastical, socio-political, propagandist, moralistic, and poetic contexts. It has been assumed that time was conceived in a different way by those living in the Renaissance as compared to their medieval predecessors. Changing perceptions of time, an increasingly secular approach, the sense of self-determination rooted in the practical use and control of time, and the perception of time as a threat to human existence and achievements are demonstrated through artistic media. Chapters dealing with time in classical and medieval philosophy and art are followed by studies that focus on innovative aspects of Renaissance iconography. 410 0$aBrill's studies in intellectual history ;$vVolume 228. 410 0$aBrill's studies in intellectual history.$pBrill's studies on art, art history, and intellectual history ;$vVolume 6. 606 $aTime in art 606 $aTime$xSocial aspects$zEurope$xHistory 606 $aTime perception$zEurope$xHistory 606 $aArt, Medieval$xThemes, motives 606 $aArt, Renaissance$xThemes, motives 608 $aElectronic books. 615 0$aTime in art. 615 0$aTime$xSocial aspects$xHistory. 615 0$aTime perception$xHistory. 615 0$aArt, Medieval$xThemes, motives. 615 0$aArt, Renaissance$xThemes, motives. 676 $a701/.08 700 $aCohen$b Simona$0903648 702 $aRomano$b Giulio 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910464371103321 996 $aTransformations of time and temporality in Medieval and Renaissance art$92019957 997 $aUNINA