LEADER 04310nam 22006731 450 001 9910464352303321 005 20200520144314.0 010 $a0-8195-7412-0 035 $a(CKB)3710000000024719 035 $a(EBL)1463529 035 $a(SSID)ssj0001036972 035 $a(PQKBManifestationID)11661542 035 $a(PQKBTitleCode)TC0001036972 035 $a(PQKBWorkID)11042671 035 $a(PQKB)11445271 035 $a(MiAaPQ)EBC1463529 035 $a(OCoLC)864551263 035 $a(MdBmJHUP)muse27436 035 $a(Au-PeEL)EBL1463529 035 $a(CaPaEBR)ebr10778685 035 $a(EXLCZ)993710000000024719 100 $a20131028h20132013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aEngaging bodies $ethe politics and poetics of corporeality /$fAnn Cooper Albright 210 1$aMiddletown, Connecticut :$cWesleyan University Press,$d[2013] 210 4$dİ2013 215 $a1 online resource (409 p.) 300 $aDescription based upon print version of record. 311 $a0-8195-7410-4 320 $aIncludes bibliographical references and index. 327 $aCover; Engaging Bodies; Title; Copyright; Dedication; Contents; Preface; Introduction: Situated Dancing; I PERFORMANCE WRITINGS; 1 Pooh Kaye and Eccentric Motions; 2 Johanna Boyce; 3 Improvisations by Simone Forti and Pooh Kaye; 4 Song of Lawino; 5 Joseph Holmes, Sizzle and Heat; 6 Performing across Identity; 7 In Dialogue with Firebird; 8 Dancing Bodies and the Stories They Tell; 9 Embodying History: The New Epic Dance; 10 Desire and Control: Performing Bodies in the Age of AIDS; II FEMINIST THEORIES; 11 Mining the Dancefield: Spectacle, Moving Subjects, and Feminist Theory 327 $a12 Writing the Moving Body: Nancy Stark Smith and the Hieroglyphs13 Auto-Body Stories: Blondell Cummings and Autobiography in Dance; 14 Femininity with a Vengeance: Strategies of Veiling and Unveiling in Loi?e Fuller's Performances of Salome?; III DANCING HISTORIES; 15 The Long Afternoon of a Faun: Reconstructions and Discourses of Desire; 16 Embodying History: Epic Narrative and Cultural Identity in African-American Dance; 17 Matters of Tact: Writing History from the Inside Out; 18 The Tanagra Effect: Wrapping the Modern Body in the Folds of Ancient Greece; IV CONTACT IMPROVISATION 327 $a19 A Particular History: Contact Improvisation at Oberlin College20 Open Bodies: (X)changes of Identity in Capoeira and Contact Improvisation; 21 Present Tense: Contact Improvisation at Twenty-five; 22 Feeling In and Out: Contact Improvisation and the Politics of Empathy; V PEDAGOGY; 23 Dancing across Difference: Experience and Identity in the Classroom; 24 Channeling the Other: An Embodied Approach to Teaching across Cultures; 25 Training Bodies to Matter; VI OCCASIONAL PIECES; 26 The Mesh in the Mess; 27 Through Yours to Mine and Back Again: Reflections on Bodies in Motion 327 $a28 Physical Mindfulness29 Researching Bodies: The Politics and Poetics of Corporeality; 30 Strategic Abilities: Negotiating the Disabled Body in Dance; 31 Dancing in and out of Africa; 32 Rates of Exchange; 33 Moving Contexts: Dance and Difference in the Twenty-first Century; 34 Three Beginnings and a Manifesto; 35 Improvisation as Radical Politics; 36 Space and Subjectivity; 37 Strategic Practices; 38 Resurrecting the Future: Body/Image/Technology; 39 Falling; 40 The Tensions of Techne?: On Heidegger and Screendance; 41 Falling; Afterword; Acknowledgments; Index; ABOUT THE AUTHOR 330 $aCritical and performative writings from a well-known dance scholar 606 $aDance criticism 606 $aDance$xHistory 606 $aDance$xStudy and teaching 606 $aDance$xSocial aspects 606 $aHuman body$xSocial aspects 608 $aElectronic books. 615 0$aDance criticism. 615 0$aDance$xHistory. 615 0$aDance$xStudy and teaching. 615 0$aDance$xSocial aspects. 615 0$aHuman body$xSocial aspects. 676 $a792.8 700 $aAlbright$b Ann Cooper$0855493 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910464352303321 996 $aEngaging bodies$92123267 997 $aUNINA