LEADER 02038nam 2200601 450 001 9910464322703321 005 20200520144314.0 010 $a80-246-2387-0 035 $a(CKB)3710000000095674 035 $a(EBL)3319670 035 $a(SSID)ssj0001328668 035 $a(PQKBManifestationID)11727810 035 $a(PQKBTitleCode)TC0001328668 035 $a(PQKBWorkID)11290727 035 $a(PQKB)10373219 035 $a(MiAaPQ)EBC1996787 035 $a(Au-PeEL)EBL1996787 035 $a(CaPaEBR)ebr10852901 035 $a(OCoLC)908306080 035 $a(EXLCZ)993710000000095674 100 $a20140412h20122012 uy 0 101 0 $acze 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aPodivuhodny? kve?t c?eske?ho baroka $eprvni? pr?edna?s?ky o teorii mnoz?in /$fPetr Vope?nka ; Petr Jirku?, Stanislav Vojta?sek, recenzenti ; Lenka Sc?erbanic?ova?, redakce ; Zdene?k Ziegler, graficka? u?prava 205 $aVyda?ni? druhe?. 210 1$a[Prague, Czech Republic] :$cKarolinum,$d2012. 210 4$dİ2012 215 $a1 online resource (237 p.) 300 $aDescription based upon print version of record. 311 $a80-246-2123-1 320 $aIncludes bibliographical references. 606 $aMathematics$xStudy and teaching 606 $aMathematics$xStudy and teaching$zCzech Republic$zBohemia$xHistory 607 $aBohemia (Czech Republic)$xIntellectual life$y17th century 608 $aElectronic books. 615 0$aMathematics$xStudy and teaching. 615 0$aMathematics$xStudy and teaching$xHistory. 676 $a510.71 700 $aVope?nka$b Petr$051136 702 $aJirku?$b Petr 702 $aVojta?sek$b Stanislav 702 $aSc?erbanic?ova?$b Lenka 702 $aZiegler$b Zdene?k 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910464322703321 996 $aPodivuhodny? kve?t c?eske?ho baroka$91999712 997 $aUNINA LEADER 04153nam 22007335 450 001 9910154624103321 005 20240314130706.0 010 $a0-8135-8311-X 010 $a0-8135-8312-8 024 7 $a10.36019/9780813583129 035 $a(PPN)27616623X 035 $a(CKB)4340000000021280 035 $a(MiAaPQ)EBC4751329 035 $a(OCoLC)965723399 035 $a(MdBmJHUP)muse57633 035 $a(DE-B1597)526306 035 $a(DE-B1597)9780813583129 035 $a(EXLCZ)994340000000021280 100 $a20190904d2016 fg 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 14$aThe Extraordinary Image $eOrson Welles, Alfred Hitchcock, Stanley Kubrick, and the Reimagining of Cinema /$fRobert P. Kolker 210 1$aNew Brunswick, NJ :$cRutgers University Press,$d[2016] 210 4$dİ2017 215 $a1 online resource (246 pages) $cillustrations 311 $a0-8135-8309-8 320 $aInlcudes filmography. 320 $aIncludes bibliographical references and index. 327 $tFrontmatter --$tCONTENTS --$tList of Illustrations --$tAcknowledgments --$tPrelude --$tThe Passion of Film --$tWhat We Talk about When We Talk about Film --$tThe Body of Work --$tOrigins --$tThe Films They Made --$tThe Work of the Body --$tHunger Artists --$tApollo, Dionysus, and Nemesis --$tEmbodiment and Performance --$tForm, Time, and Space --$tSpatial Illusions --$tConventional Spaces --$tAgainst Realism --$tTouch of Evil and Psycho --$tLabyrinths, Lost Time, Dying Falls --$tHitchcock and the Abyss --$tThe Dreamworld --$tThe Spaces of Space Fiction --$tCycles and Symmetry --$tPhotograph of a Photograph --$tPower and Sexuality --$tThe Art of Feeling --$tCoda: An Immense Shadow --$tChronology of Films by Welles, Hitchcock, and Kubrick --$tNotes --$tSelect Bibliography --$tIndex 330 $aWelles. Hitchcock. Kubrick. These names appear on nearly every list of the all-time greatest filmmakers. But what makes these directors so great? Despite their very different themes and sensibilities, is there a common genius that unites them and elevates their work into the realm of the sublime? The Extraordinary Image takes readers on a fascinating journey through the lives and films of these three directors, identifying the qualities that made them cinematic visionaries. Reflecting on a lifetime of teaching and writing on these filmmakers, acclaimed film scholar Robert P. Kolker offers a deeply personal set of insights on three artists who have changed the way he understands movies. Spotlighting the many astonishing images and stories in films by Welles, Hitchcock, Kubrick, he also considers how they induce a state of amazement that transports and transforms the viewer. Kolker's accessible prose invites readers to share in his own continued fascination and delight at these directors' visual inventiveness, even as he lends his expertise to help us appreciate the key distinctions between the unique cinematic universes they each created. More than just a celebration of three cinematic geniuses, The Extraordinary Image is an exploration of how movies work, what they mean, and why they bring us so much pleasure. 606 $aMotion pictures$zUnited States 610 $a2001 a space odyssey. 610 $a2001. 610 $ablack and white. 610 $acinema studies. 610 $acinema. 610 $acinematography. 610 $acitizen kane. 610 $aclassic film. 610 $aclockwork orange. 610 $adirecting. 610 $afilm history. 610 $afilm studies. 610 $afilm. 610 $afilmmaker. 610 $afilmmaking. 610 $ahitchcock. 610 $apsycho. 610 $arear window. 610 $athe birds. 610 $avertigo. 610 $awelles. 615 0$aMotion pictures 676 $a791.430973 700 $aKolker$b Robert Phillip$0801178 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910154624103321 996 $aThe Extraordinary Image$92893057 997 $aUNINA