LEADER 03514nam 2200625 450 001 9910464292403321 005 20200520144314.0 010 $a0-292-76100-7 035 $a(CKB)3710000000133972 035 $a(EBL)3443729 035 $a(SSID)ssj0001329771 035 $a(PQKBManifestationID)11729288 035 $a(PQKBTitleCode)TC0001329771 035 $a(PQKBWorkID)11327903 035 $a(PQKB)11733951 035 $a(MiAaPQ)EBC3443729 035 $a(Au-PeEL)EBL3443729 035 $a(CaPaEBR)ebr10888187 035 $a(OCoLC)882105009 035 $a(EXLCZ)993710000000133972 100 $a20140707h20141997 uy| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aSpike, Mike, slackers & dykes $ea guided tour across a decade of American independent cinema /$fJohn Pierson ; with the conversational collaboration of Kevin Smith 210 1$aAustin :$cUniversity of Texas Press,$d2014. 210 4$dİ1997 215 $a1 online resource (392 p.) 300 $aIncludes filmography and index. 311 $a0-292-75768-9 327 $a""Cover""; ""Half-title""; ""Title""; ""Copyright""; ""Dedication""; ""Contents""; ""Introduction: Stranger Than Fiction""; ""Dialogue / Leaders""; ""A Quick and Slanted Pre-1984 History""; ""Dialogue / Starting Point""; ""Stranger Than Paradise and the First Golden Age""; ""Dialogue / Paradise""; ""Parting Glances & The New Queer Cinema""; ""She's Gotta Have It""; ""Tube Socks and Tube Steaks""; ""Black and White""; ""Birth of a Salesman""; ""Dialogue / Be Like Spike""; ""Working Girls and Women""; ""Inspector Errol Morris Walks The Thin Blue Line""; ""D.O.A""; ""The Dance Part 1"" 327 $a""Deceased""""Quantity Not Quality""; ""Dialogue / Batman and Sex""; ""1989: The Year It All Changed""; ""Dialogue / Sex and Roger""; ""Roger and Michael and Me""; ""The Cinderella Syndrome""; ""How to Make a Studio Deal""; ""The Morning After""; ""Dialogue / Role Models""; ""Slacking Off""; ""Dialogue / Straight Outta Business""; ""The Next Soderbergh""; ""Sundance 1990""; ""Sundance 1991""; ""Sundance 1992""; ""Dialogue / Dogs""; ""Sons of Mean Streets""; ""Dialogue / 26,685""; ""How Low Can a Budget Go?""; ""Dialogue / Shannen"" 327 $a""Amongst Jerks: Rob Weiss and the Dark Side of Overnight Success""""Toll Money""; ""Hitchcock: Who Needs Him?""; ""Murder Ink""; ""The Odd Couple: Sundance 1994""; ""In Hock and Staying There""; ""Go Fiscal: Anatomy of a Back End""; ""A Doc In The House""; ""Dialogue / The Clerky Boys""; ""Epilogue: It's A Wonderful Life, July 4, 1995""; ""Acknowledgments""; ""Appendix I""; ""Appendix II""; ""Appendix III""; ""Index"" 517 3 $aSpike, Mike, slackers and dykes 606 $aMotion picture producers and directors$zUnited States$vBiography 606 $aIndependent filmmakers$zUnited States$vBiography 606 $aLow budget films 606 $aMotion pictures$xProduction and direction 608 $aElectronic books. 615 0$aMotion picture producers and directors 615 0$aIndependent filmmakers 615 0$aLow budget films. 615 0$aMotion pictures$xProduction and direction. 676 $a791.43/0233/092273 B 700 $aPierson$b John$01037377 702 $aSmith$b Kevin 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910464292403321 996 $aSpike, Mike, slackers & dykes$92458320 997 $aUNINA