LEADER 01138nam0-2200373li-450 001 990000261510203316 005 20180312154841.0 010 $a0-8493-0301-X 035 $a0026151 035 $aUSA010026151 035 $a(ALEPH)000026151USA01 035 $a0026151 100 $a2001998091997-------y0itay0103----ba 101 0 $aeng 102 $aUS 200 1 $aNumbers and symmetry$ean intoduction to algebra$fBernard L. Johnston, Frad Richman 210 $aBoca Raton [etc.]$cCRC Press$dcopyr. 1997 215 $a260 p.$cill.$d24 cm 610 1 $aalgebra 676 $a51202$9Algebra astratta 700 1$aJohnston,$bBernard L.$0754406 702 1$aRichman,$bFred 801 $aSistema bibliotecario di Ateneo dell' Università di Salerno$gRICA 912 $a990000261510203316 951 $a512.02 JOH$b22417/CBS$c512.02$d00219941 959 $aBK 969 $aSCI 979 $c19980919 979 $c20001110$lUSA01$h1715 979 $c20020403$lUSA01$h1634 979 $aPATRY$b90$c20040406$lUSA01$h1619 979 $aRSIAV6$b90$c20090506$lUSA01$h1044 996 $aNumbers and symmetry$91517981 997 $aUNISA LEADER 02863nam 22006252 450 001 9910464266403321 005 20151005020623.0 010 $a1-139-89397-1 010 $a1-139-19695-2 010 $a1-107-38427-3 010 $a1-107-41457-1 010 $a1-107-39070-2 010 $a1-107-38778-7 035 $a(CKB)3710000000057729 035 $a(EBL)1543529 035 $a(OCoLC)863203658 035 $a(SSID)ssj0001041751 035 $a(PQKBManifestationID)12468168 035 $a(PQKBTitleCode)TC0001041751 035 $a(PQKBWorkID)11048650 035 $a(PQKB)10358545 035 $a(UkCbUP)CR9781139196956 035 $a(MiAaPQ)EBC1543529 035 $a(Au-PeEL)EBL1543529 035 $a(CaPaEBR)ebr10800399 035 $a(EXLCZ)993710000000057729 100 $a20111109d2012|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aWhat was history? $ethe art of history in early modern Europe /$fAnthony Grafton$b[electronic resource] 205 $aCanto Classics edition. 210 1$aCambridge :$cCambridge University Press,$d2012. 215 $a1 online resource (ix, 319 pages) $cdigital, PDF file(s) 225 1 $aCanto classics 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a1-107-60615-2 320 $aIncludes bibliographical references (pages 255-304) and index. 327 $a1. Historical criticism in early modern Europe -- 2. The origins of the Ars historica: a question mal posee? -- 3. Method and madness in the Ars historica: three case studies -- 4. Death of a genre. 330 $aFrom the late fifteenth century onwards, scholars across Europe began to write books about how to read and evaluate histories. These pioneering works grew from complex early modern debates about law, religion and classical scholarship. Anthony Grafton's book is based on his Trevelyan Lectures of 2005, and it proves to be a powerful and imaginative exploration of some central themes in the history of European ideas. Grafton explains why so many of these works were written, why they attained so much insight - and why, in the centuries that followed, most scholars gradually forgot that they had existed. Elegant and accessible, What Was History? is a deliberate evocation of E. H. Carr's celebrated Trevelyan Lectures, What Is History?. 410 0$aCanto classics. 606 $aHistoriography$zEurope$xHistory 606 $aHistory$xPhilosophy 615 0$aHistoriography$xHistory. 615 0$aHistory$xPhilosophy. 676 $a940.2/3072 700 $aGrafton$b Anthony$0181216 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910464266403321 996 $aWhat was history$92482158 997 $aUNINA