LEADER 00782nam 2200265 450 001 9910358259903321 005 20200107161411.0 010 $a9788858136928 100 $a20200107d2019----u y0engy50 ba 101 0 $aita 102 $aIT 105 0 $a 00 200 1 $aGrammatica dell'integrazione$eitaliani e stranieri a scuola insieme$fVinicio Ongini 210 $aBari - Roma$cLaterza$d2019 215 $a160 p.$d23 cm 225 $a<>robinson$eletture 610 0 $aGiovani immigrati$aRapporti con la scuola 676 $a370.117$v22$zita 676 $a304.845$v22$zita 700 1$aOngini,$bVinicio$0610979 912 $a9910358259903321 952 $a370.117 ONG 1$b6845$fbfs 959 $aBFS 996 $aGrammatica dell'integrazione$91569839 997 $aUNINA LEADER 03167nam 2200661Ia 450 001 9910464263403321 005 20210622032036.0 010 $a1-282-77230-9 010 $a9786612772306 010 $a0-520-94128-4 024 7 $a10.1525/9780520941281 035 $a(CKB)3390000000006983 035 $a(EBL)837211 035 $a(OCoLC)733997345 035 $a(SSID)ssj0000434464 035 $a(PQKBManifestationID)11276848 035 $a(PQKBTitleCode)TC0000434464 035 $a(PQKBWorkID)10402555 035 $a(PQKB)10660465 035 $a(MiAaPQ)EBC837211 035 $a(MdBmJHUP)muse30609 035 $a(DE-B1597)520319 035 $a(DE-B1597)9780520941281 035 $a(Au-PeEL)EBL837211 035 $a(CaPaEBR)ebr10675712 035 $a(CaONFJC)MIL277230 035 $a(EXLCZ)993390000000006983 100 $a20070507d2008 ub 0 101 0 $aeng 135 $aurnn#---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$aCinema and fascism$b[electronic resource] $eItalian film and society, 1922-1943 /$fSteven Ricci 210 $aBerkeley $cUniversity of California Press$dc2008 215 $a1 online resource (249 p.) 300 $aDescription based upon print version of record. 311 0 $a0-520-25355-8 311 0 $a0-520-25356-6 320 $aIncludes bibliographical references (p. 207-217) and index. 327 $tFront matter --$tContents --$tIllustrations --$tPreface --$tIntroduction --$t1. Amnesia and Historical Memory --$t2. The Political Economy of Italian Cinema, 1922-1943 --$t3. Leisure Time, Historiography, and Spectatorship --$t4. Italy and America: Fascination and (Re)Negotiation --$t5. The Fascist Codex --$tNotes --$tSelected Bibliography --$tIndex 330 $aThis study considers Italian filmmaking during the Fascist era and offers an original and revealing approach to the interwar years. Steven Ricci directly confronts a long-standing dilemma faced by cultural historians: while made during a period of totalitarian government, these films are neither propagandistic nor openly "Fascist." Instead, the Italian Fascist regime attempted to build ideological consensus by erasing markers of class and regional difference and by circulating terms for an imaginary national identity. Cinema and Fascism investigates the complex relationship between the totalitarian regime and Italian cinema. It looks at the films themselves, the industry, and the role of cinema in daily life, and offers new insights into this important but neglected period in cinema history. 606 $aMotion pictures$zItaly$xHistory 606 $aFascism and motion pictures$zItaly$xHistory 606 $aMotion pictures$xSocial aspects$zItaly 608 $aElectronic books. 615 0$aMotion pictures$xHistory. 615 0$aFascism and motion pictures$xHistory. 615 0$aMotion pictures$xSocial aspects 676 $a791.43/094509041 700 $aRicci$b Steven$0618081 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910464263403321 996 $aCinema and fascism$91683562 997 $aUNINA